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"An intricate, metaphysical, ambitious "psychogeography of the self" that both disrupts and elevates the twenty-first century vision of the novel. Our narrator is held in complete darkness and isolation. His endless thoughts are turned into the book we are reading-Schattenfroh-directed by none other than the narrator's mysterious jailer by the same name. Undulating through explorations of Renaissance art, the German reformation, time-defying esoterica, the printing process in the sixteenth century, Kabbalistic mysticism, and beyond, Schattenfroh is a remarkable book that, in turn, asks the…mehr

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Produktbeschreibung
"An intricate, metaphysical, ambitious "psychogeography of the self" that both disrupts and elevates the twenty-first century vision of the novel. Our narrator is held in complete darkness and isolation. His endless thoughts are turned into the book we are reading-Schattenfroh-directed by none other than the narrator's mysterious jailer by the same name. Undulating through explorations of Renaissance art, the German reformation, time-defying esoterica, the printing process in the sixteenth century, Kabbalistic mysticism, and beyond, Schattenfroh is a remarkable book that, in turn, asks the remarkable of its readers. Interruptions, breaks, and annotations both buoy and deceive, and endless historical references, literary allusions, and wordplay construct a baroque, encyclopedic quest. Schattenfroh's publication in English marks a seminal moment in the history of the literary form"--
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Autorenporträt
Michael Lentz is an award-winning German author, musician, and performer of experimental texts and sound poetry. Schattenfroh is his first book to be translated into English. He currently lives in Munich. Max Lawton is a translator, novelist, and musician. He has translated many books by Vladimir Sorokin, including Blue Lard (NYRB Classics), Their Four Hearts, and Dispatches from the District Committee (both from Dalkey Archive Press).