The essays contained in this volume provide a focus on the work of the music theorist Heinrich Schenker.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Preface Part I. Historical Studies: 1. Introduction 2. Schenkerian theory and manuscript studies: modes of interaction John Rothgeb 3. A source for Schenker's study of thorough bass: his annotated copy of J. S. Bach's Generalbassbuchlein Hedi Siegel 4. Music and morphology: Goethe's influence on Schenker's thought William Pastille 5. Schenkerian theory and the analysis of Renaissance music David Stern 6. Foreground, middleground and background: their significance in the history of tonality Saul Novack Part II. Analytical Studies: 7. Introduction 8. Dual-key movements David Loeb 9. J. S. Bach's 'binary' dance movements: form and voice leading Larry Laskowski 10. Aspects of the Neapolitan sixth chord in Mozart's music Roger Kamien 11. Enharmonic transformation in the first movement of Mozart's Piano Concerto in C minor, K. 491 Eric Wen 12. Schenker and chromatic tonicisation: a reappraisal Patrick McCreless 13. Departures from the norm in two songs from Schumann's Charles Burkhart 14. Either/or Carl Schachter Part III. Schenker Studies Today: 15. Introduction 16. Schenkerian theory in Great Britain: developments and responses Jonathan Dunsby and John Rink 17. The Americanisation of Heinrich Schenker William Rothstein Index.
Preface Part I. Historical Studies: 1. Introduction 2. Schenkerian theory and manuscript studies: modes of interaction John Rothgeb 3. A source for Schenker's study of thorough bass: his annotated copy of J. S. Bach's Generalbassbuchlein Hedi Siegel 4. Music and morphology: Goethe's influence on Schenker's thought William Pastille 5. Schenkerian theory and the analysis of Renaissance music David Stern 6. Foreground, middleground and background: their significance in the history of tonality Saul Novack Part II. Analytical Studies: 7. Introduction 8. Dual-key movements David Loeb 9. J. S. Bach's 'binary' dance movements: form and voice leading Larry Laskowski 10. Aspects of the Neapolitan sixth chord in Mozart's music Roger Kamien 11. Enharmonic transformation in the first movement of Mozart's Piano Concerto in C minor, K. 491 Eric Wen 12. Schenker and chromatic tonicisation: a reappraisal Patrick McCreless 13. Departures from the norm in two songs from Schumann's Charles Burkhart 14. Either/or Carl Schachter Part III. Schenker Studies Today: 15. Introduction 16. Schenkerian theory in Great Britain: developments and responses Jonathan Dunsby and John Rink 17. The Americanisation of Heinrich Schenker William Rothstein Index.
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