Alfred Schnittke (1934-1998) was arguably the most important Russian composer since Shostakovich, and his music has generated a great deal of academic interest in the years since his death. Schnittke Studies provides a variety of perspectives on the composer and his music.
Alfred Schnittke (1934-1998) was arguably the most important Russian composer since Shostakovich, and his music has generated a great deal of academic interest in the years since his death. Schnittke Studies provides a variety of perspectives on the composer and his music.
Gavin Dixon is an academic, writer, and editor based in Hertfordshire, UK. His studies with Professor Alexander Ivashkin at Goldsmiths, University of London, led to a PhD on the symphonies of Alfred Schnittke in 2007. Since then, he has continued to be active in Schnittke scholarship, as a Visiting Research Fellow at Goldsmiths and as a member of the editorial team for the Alfred Schnittke Collected Works edition, currently being published in St Petersburg. Gavin is also a Curator of Musical Instruments at the Horniman Museum in London. As a journalist, Gavin has contributed to a wide range of music publications including Gramophone, BBC Music Magazine, Tempo, Classical Music, and Limelight (Australia). He is also Music Editor of Fanfare, America's leading classical CD review magazine.
Inhaltsangabe
Contents Preface - Gavin Dixon PART I - INTERPRETATIVE STUDIES Chapter 1 'Crucifixus Etiam Pro Nobis': Representations of the Cross in Alfred Schnittke's Symphony No. 2 'St. Florian' - Ivan Medi¿ Chapter 2 Alfred Schnittke and the Znamennyi Raspev - Emilia Ismael-Simental Chapter 3 Negative Spirituality and the Inversion of Christianity as Media of Social Criticism in Alfred Schnittke's Opera Life with an Idiot - Amrei Flechsig Chapter 4 Polystylism as Dialogue: Interpreting Schnittke through Bakhtin - Gavin Dixon PART II - THEORETICAL STUDIES Chapter 5 Schnittke's Polystylistic Schemata: Textural Progression in the Concerti grossi - Gordon E. Marsh Chapter 6 Symmetrical Constructions in the Fourth Movement of Alfred Schnittke's String Quartet No. 4 - Aaminah Durrani PART III - RUSSIAN PERSPECTIVES Chapter 7 'Faith through Scepticism': Desacralisation and Resacralisation in Schnittke's First Symphony - Victoria Adamenko Chapter 8 On the Late Style of Alfred Schnittke (The Instrumental Works) - Evgeniia Chigareva Chapter 9 The Schnittke Code - Alexander Ivashkin APPENDIX Revised Catalogue of Alfred Schnittke's Sketches in the Juilliard Manuscript Collection - Ivana Medi¿
Contents Preface - Gavin Dixon PART I - INTERPRETATIVE STUDIES Chapter 1 'Crucifixus Etiam Pro Nobis': Representations of the Cross in Alfred Schnittke's Symphony No. 2 'St. Florian' - Ivan Medi¿ Chapter 2 Alfred Schnittke and the Znamennyi Raspev - Emilia Ismael-Simental Chapter 3 Negative Spirituality and the Inversion of Christianity as Media of Social Criticism in Alfred Schnittke's Opera Life with an Idiot - Amrei Flechsig Chapter 4 Polystylism as Dialogue: Interpreting Schnittke through Bakhtin - Gavin Dixon PART II - THEORETICAL STUDIES Chapter 5 Schnittke's Polystylistic Schemata: Textural Progression in the Concerti grossi - Gordon E. Marsh Chapter 6 Symmetrical Constructions in the Fourth Movement of Alfred Schnittke's String Quartet No. 4 - Aaminah Durrani PART III - RUSSIAN PERSPECTIVES Chapter 7 'Faith through Scepticism': Desacralisation and Resacralisation in Schnittke's First Symphony - Victoria Adamenko Chapter 8 On the Late Style of Alfred Schnittke (The Instrumental Works) - Evgeniia Chigareva Chapter 9 The Schnittke Code - Alexander Ivashkin APPENDIX Revised Catalogue of Alfred Schnittke's Sketches in the Juilliard Manuscript Collection - Ivana Medi¿
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