Julie Brown reconsiders Schoenberg's step into atonality as a response to Wagner's charges concerning the Jewish influence on German music.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Julie Brown is a networking coach and business development strategist who has helped countless people transform their careers through networking via her newsletter, video series, seminars, private coaching sessions and keynote speeches. Once described as "the most informative stand up comedian I've ever heard." Julie will most likely be the only woman you know who can talk about triadic closure and tough titties in the same breath. You can find out more about Julie at juliebrownbd.com
Inhaltsangabe
Introduction 1. Schoenberg, history, trauma? 2. Schoenberg as Christ 3. Otto Weininger, Richard Wagner and musical discourse in turn-of-the-century Vienna 4. Schoenberg and Wagnerian Deutschtum 5. Compositional innovation and the redemption of Ahasuerus 6. Woman and the symbolism of self-redemption 7. Re-reading Schoenberg's Musical Idea 8. Coda: changing history into memory Appendix. 'Every young Jew'.
Introduction 1. Schoenberg, history, trauma? 2. Schoenberg as Christ 3. Otto Weininger, Richard Wagner and musical discourse in turn-of-the-century Vienna 4. Schoenberg and Wagnerian Deutschtum 5. Compositional innovation and the redemption of Ahasuerus 6. Woman and the symbolism of self-redemption 7. Re-reading Schoenberg's Musical Idea 8. Coda: changing history into memory Appendix. 'Every young Jew'.
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