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Portrays Schoenberg's atonal music as successions of motives and pitch-class sets that flesh out 'musical idea' and 'basic image' frameworks.

Produktbeschreibung
Portrays Schoenberg's atonal music as successions of motives and pitch-class sets that flesh out 'musical idea' and 'basic image' frameworks.
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Autorenporträt
Jack Boss is Professor of Music Theory and Composition at the University of Oregon. His previous book, Schoenberg's Twelve-Tone Music: Symmetry and the Musical Idea (Cambridge, 2014) received the Wallace Berry Award from the Society for Music Theory in 2015. His articles can be found in the Journal of Music Theory, Music Theory Spectrum, Perspectives of New Music, Music Theory Online, Music Analysis, Intégral, and Gamut.