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Arthur Schopenhauer's reputation as a cynic and a misanthrope often obscures the complexity and humanity of his philosophy. In this innovative volume, Robert Wicks breaks away from the accepted oversimplification of Schopenhauer as an incurable pessimist, to present an insightful portrait of his life and work.
Beginning with a look at his early life and the people and circumstances that shaped his thinking, the book situates Schopenhauer's philosophical work within the context of these formative years. It examines Schopenhauer's aesthetic and moral theories, his affinity toward Asian
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Produktbeschreibung
Arthur Schopenhauer's reputation as a cynic and a misanthrope often obscures the complexity and humanity of his philosophy. In this innovative volume, Robert Wicks breaks away from the accepted oversimplification of Schopenhauer as an incurable pessimist, to present an insightful portrait of his life and work.

Beginning with a look at his early life and the people and circumstances that shaped his thinking, the book situates Schopenhauer's philosophical work within the context of these formative years. It examines Schopenhauer's aesthetic and moral theories, his affinity toward Asian mysticism and Christianity, as well as his ideas about the sublime, consciousness, empathy, humanity, and "Will". The volume focuses on the composition and structure of Schopenhauer's philosophy and explores his intellectual links to Hegel, Nietzsche, and Wittgenstein.
An essential resource for students and scholars of aesthetics and nineteenth-century philosophy, this is an important introduction to a unique and influential thinker.
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Autorenporträt
Robert Wicks is Associate Professor of Philosophy at the University of Auckland. He is the author of Modern French Philosophy: From Existentialism to Postmodernism (2003), Nietzsche (2002), and Hegel's Theory of Aesthetic Judgment (1994). He is also the author of the Stanford Encyclopedia of Philosophy entry on Schopenhauer.
Rezensionen
"Perhaps because its potential readership is scarcely larger than the potential authorship, the genre of introductory books on Schopenhauer is of uniformly high quality. The great pessimist would surely be confounded and joyful at the situation, but books whose titles contain little if anything other than the name 'Schopenhauer' are generally excellent. I am pleased to report that Robert Wicks s recent effort is no exception." ( Notre Dame Philosophical Reviews )