Alexander Stefaniak is Assistant Professor of Musicology at Washington University in Saint Louis.
Inhaltsangabe
Acknowledgments Introduction: The Virtuosity Discourse Part I: Schumann and the Piano Virtuosity of the 1830s Part I Introduction 1. Florestan among the Revelers: Postclassical Virtuosity and Schumann's Critique of Pleasure 2. Florestan's Wine, Clara Wieck's Spirit: Postclassical Virtuosity and Poetic Interiority 3. Poetic Showpieces in the Cultivated Salon 4. Virtuosity and the Rhetoric of the Sublime Part II: The Virtuoso on Mount Parnassus: Schumann and the Culture of the Work Concept Part II Introduction 5. Steps to Parnassus? Schumann's Equivocal Work Concept 6. Festivals of the Virtuoso Priesthood: Collaborating with Clara Schumann and Joseph Joachim Epilogue List of Endnote Abbreviations Notes Bibliography Index
Acknowledgments Introduction: The Virtuosity Discourse Part I: Schumann and the Piano Virtuosity of the 1830s Part I Introduction 1. Florestan among the Revelers: Postclassical Virtuosity and Schumann's Critique of Pleasure 2. Florestan's Wine, Clara Wieck's Spirit: Postclassical Virtuosity and Poetic Interiority 3. Poetic Showpieces in the Cultivated Salon 4. Virtuosity and the Rhetoric of the Sublime Part II: The Virtuoso on Mount Parnassus: Schumann and the Culture of the Work Concept Part II Introduction 5. Steps to Parnassus? Schumann's Equivocal Work Concept 6. Festivals of the Virtuoso Priesthood: Collaborating with Clara Schumann and Joseph Joachim Epilogue List of Endnote Abbreviations Notes Bibliography Index
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