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Science fiction series have remained a staple of American television from its inception: classic programs such as The Twilight Zone, The Outer Limits , and Star Trek, along with recent and current series including Babylon 5 and Stargate SG-1, have been some of the most enduring and influential of all television shows. In this chronological survey, author M. Keith Booker examines this phenomenon and provides in-depth studies of the most important of these series. Science Fiction Television traces the development of the genre as a distinct cultural phenomenon within the context of broader…mehr

Produktbeschreibung
Science fiction series have remained a staple of American television from its inception: classic programs such as The Twilight Zone, The Outer Limits , and Star Trek, along with recent and current series including Babylon 5 and Stargate SG-1, have been some of the most enduring and influential of all television shows. In this chronological survey, author M. Keith Booker examines this phenomenon and provides in-depth studies of the most important of these series. Science Fiction Television traces the development of the genre as a distinct cultural phenomenon within the context of broader developments in American culture as a whole. In the process, it offers a unique and informative guide for television fans and science fiction fans alike, one whose coverage is unprecedented in its scope and breadth. A must-read for anyone interested in its subject or in American popular culture, Science Fiction Television is a perceptive and entertaining history of one of television's most lasting forms of entertainment.
Autorenporträt
M. Keith Booker is Professor of English at the University of Arkansas, USA. His recent publications include Star Trek: A Cultural History (2018), Tony Soprano's America: Gangsters, Guns, and Money (2017) co-authored with Isra Daraiseh and Mad Men: A Cultural History (2016) with Bob Batchelor. He received his PhD in English from the University of Florida in 1990. M. KEITH BOOKER is Professor of English at the University of Arkansas. He is the author of numerous articles and books on modern literature and literary theory, including Dystopian Literature: A Theory and Research Guide (1994), Bakhtin, Stalin, and Modern Russian Fiction: Carnival, Dialogism, and History (1995), The Dystopian Impulse in Modern Literature: Fiction as Social Criticism (1994), and The Modern British Novel of the Left: A Research Guide (1998), all available from Greenwood Press.