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Exploring a topic at the intersection of science, philosophy and literature, this book traces the history of induction - manipulating textual evidence by selective quotation - as a writerly practice, and accounts for mixtures of poetry and prose in the work of major Romantic-period writers.

Produktbeschreibung
Exploring a topic at the intersection of science, philosophy and literature, this book traces the history of induction - manipulating textual evidence by selective quotation - as a writerly practice, and accounts for mixtures of poetry and prose in the work of major Romantic-period writers.
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Autorenporträt
Dahlia Porter is Lecturer in English Literature and Material Culture at the University of Glasgow. Her articles on literature, science, medicine, and visual art appear in Representations, Romanticism, and The Eighteenth-Century: Theory and Interpretation and in essay collections on Samuel Johnson, Charlotte Smith, and The Afterlives of Eighteenth-Century Fiction. She co-edited Wordsworth and Coleridge's Lyrical Ballads, 1798 and 1800 (2008) with Michael Gamer, and is a member of the Multigraph Collective, a group of 22 scholars who co-wrote Interacting with Print: Elements of Reading in the Era of Print Saturation (2018).