Science Images and Popular Images of the Sciences
Herausgeber: Weingart, Peter; Huppauf, Bernd
Science Images and Popular Images of the Sciences
Herausgeber: Weingart, Peter; Huppauf, Bernd
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This book examines how visual media influences public perceptions of science and scientific research in the current context of growing public anxiety about the social impact of that research.
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This book examines how visual media influences public perceptions of science and scientific research in the current context of growing public anxiety about the social impact of that research.
Produktdetails
- Produktdetails
- Verlag: Routledge
- Seitenzahl: 346
- Erscheinungstermin: 20. Juni 2012
- Englisch
- Abmessung: 229mm x 152mm x 18mm
- Gewicht: 467g
- ISBN-13: 9780415512404
- ISBN-10: 0415512409
- Artikelnr.: 42196020
- Verlag: Routledge
- Seitenzahl: 346
- Erscheinungstermin: 20. Juni 2012
- Englisch
- Abmessung: 229mm x 152mm x 18mm
- Gewicht: 467g
- ISBN-13: 9780415512404
- ISBN-10: 0415512409
- Artikelnr.: 42196020
Peter Weingart is Professor of Sociology at the University of Bielefeld, Germany. Bernd Huppauf is a Professor at New York University
1. Images in and of Science 2. Science Images between Scientific Fields and
the Public Sphere: A Historiographical Survey 3. Image Science 4. Popular
Images versus Self-Images of Science: Visual Representations of Science in
Clipart Cartoons and Internet Photographs 5. The Frog's Two Bodies: The
Frog in Science Images 6. Science from Hell: Jack the Ripper and Victorian
Vivisection 7. The Scientist as Personality: Elaborating a Science of
Intimacy in the Nadar/Chevreul Interview (1886) 8. Visual Arguments: The
Role of Images in Sciences and Mathematics 9. Imagination, Multimodality
and Embodied Interaction: A Discussion of Sound and Movement in Two Cases
of Laboratory and Clinical Magnetic Resonance Imaging 10. Neuroscience and
Contemporary Art: An Interview 11. Women Scientists in Mainstream Film:
Social Role Models - A Contribution to the Public Understanding of Science
from the
Perspective of Film Sociology 12. Stereotypes and Images of Scientists in
Fiction Films 13. The Ambivalence Towards New Knowledge: Science in Fiction
Film 14. Unforgettable?: Science, Prosthetic Memory, Film 15. The
Self-Referential Scientist: Narrative, Media, and Metamorphosis in
Cronenberg's The Fly
the Public Sphere: A Historiographical Survey 3. Image Science 4. Popular
Images versus Self-Images of Science: Visual Representations of Science in
Clipart Cartoons and Internet Photographs 5. The Frog's Two Bodies: The
Frog in Science Images 6. Science from Hell: Jack the Ripper and Victorian
Vivisection 7. The Scientist as Personality: Elaborating a Science of
Intimacy in the Nadar/Chevreul Interview (1886) 8. Visual Arguments: The
Role of Images in Sciences and Mathematics 9. Imagination, Multimodality
and Embodied Interaction: A Discussion of Sound and Movement in Two Cases
of Laboratory and Clinical Magnetic Resonance Imaging 10. Neuroscience and
Contemporary Art: An Interview 11. Women Scientists in Mainstream Film:
Social Role Models - A Contribution to the Public Understanding of Science
from the
Perspective of Film Sociology 12. Stereotypes and Images of Scientists in
Fiction Films 13. The Ambivalence Towards New Knowledge: Science in Fiction
Film 14. Unforgettable?: Science, Prosthetic Memory, Film 15. The
Self-Referential Scientist: Narrative, Media, and Metamorphosis in
Cronenberg's The Fly
1. Images in and of Science 2. Science Images between Scientific Fields and
the Public Sphere: A Historiographical Survey 3. Image Science 4. Popular
Images versus Self-Images of Science: Visual Representations of Science in
Clipart Cartoons and Internet Photographs 5. The Frog's Two Bodies: The
Frog in Science Images 6. Science from Hell: Jack the Ripper and Victorian
Vivisection 7. The Scientist as Personality: Elaborating a Science of
Intimacy in the Nadar/Chevreul Interview (1886) 8. Visual Arguments: The
Role of Images in Sciences and Mathematics 9. Imagination, Multimodality
and Embodied Interaction: A Discussion of Sound and Movement in Two Cases
of Laboratory and Clinical Magnetic Resonance Imaging 10. Neuroscience and
Contemporary Art: An Interview 11. Women Scientists in Mainstream Film:
Social Role Models - A Contribution to the Public Understanding of Science
from the
Perspective of Film Sociology 12. Stereotypes and Images of Scientists in
Fiction Films 13. The Ambivalence Towards New Knowledge: Science in Fiction
Film 14. Unforgettable?: Science, Prosthetic Memory, Film 15. The
Self-Referential Scientist: Narrative, Media, and Metamorphosis in
Cronenberg's The Fly
the Public Sphere: A Historiographical Survey 3. Image Science 4. Popular
Images versus Self-Images of Science: Visual Representations of Science in
Clipart Cartoons and Internet Photographs 5. The Frog's Two Bodies: The
Frog in Science Images 6. Science from Hell: Jack the Ripper and Victorian
Vivisection 7. The Scientist as Personality: Elaborating a Science of
Intimacy in the Nadar/Chevreul Interview (1886) 8. Visual Arguments: The
Role of Images in Sciences and Mathematics 9. Imagination, Multimodality
and Embodied Interaction: A Discussion of Sound and Movement in Two Cases
of Laboratory and Clinical Magnetic Resonance Imaging 10. Neuroscience and
Contemporary Art: An Interview 11. Women Scientists in Mainstream Film:
Social Role Models - A Contribution to the Public Understanding of Science
from the
Perspective of Film Sociology 12. Stereotypes and Images of Scientists in
Fiction Films 13. The Ambivalence Towards New Knowledge: Science in Fiction
Film 14. Unforgettable?: Science, Prosthetic Memory, Film 15. The
Self-Referential Scientist: Narrative, Media, and Metamorphosis in
Cronenberg's The Fly