This book explores how theatre engages with contemporary scientific themes in the twenty-first century. It looks at how and why different forms of performance, from the Broadway musical to experimental and educational theatres, tackles a wide range of scientific themes, including artificial intelligence, genetics and climate change.
This book explores how theatre engages with contemporary scientific themes in the twenty-first century. It looks at how and why different forms of performance, from the Broadway musical to experimental and educational theatres, tackles a wide range of scientific themes, including artificial intelligence, genetics and climate change.
Simon Parry is a Lecturer in Drama and Arts Management at the University of Manchester
Inhaltsangabe
Preface: about this book 1 Science in performance: convergence, emergence, divergence 2 Laughing at science in the theatre: Gob Squad, a funny robot and dancing scientists 3 Speculative theatricality: dystopian performatives and vertigo aesthetics in popular theatre 4 Theatre, education and the politics of life itself: Theatre of Debate 5 Commoning sense: translating globalised knowledge in performance 6 Performing cosmopolitics
Preface: about this book 1 Science in performance: convergence, emergence, divergence 2 Laughing at science in the theatre: Gob Squad, a funny robot and dancing scientists 3 Speculative theatricality: dystopian performatives and vertigo aesthetics in popular theatre 4 Theatre, education and the politics of life itself: Theatre of Debate 5 Commoning sense: translating globalised knowledge in performance 6 Performing cosmopolitics
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