Leith Davis / Ian Duncan / Janet Sorensen (eds.)
Scotland and the Borders of Romanticism
Herausgeber: Davis, Leith; Sorensen, Janet; Duncan, Ian
Leith Davis / Ian Duncan / Janet Sorensen (eds.)
Scotland and the Borders of Romanticism
Herausgeber: Davis, Leith; Sorensen, Janet; Duncan, Ian
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This is a 2004 collection of critical essays devoted to Scottish writing between 1745 and 1830.
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This is a 2004 collection of critical essays devoted to Scottish writing between 1745 and 1830.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 260
- Erscheinungstermin: 31. März 2008
- Englisch
- Abmessung: 235mm x 157mm x 20mm
- Gewicht: 577g
- ISBN-13: 9780521832830
- ISBN-10: 0521832837
- Artikelnr.: 21847195
- Verlag: Cambridge University Press
- Seitenzahl: 260
- Erscheinungstermin: 31. März 2008
- Englisch
- Abmessung: 235mm x 157mm x 20mm
- Gewicht: 577g
- ISBN-13: 9780521832830
- ISBN-10: 0521832837
- Artikelnr.: 21847195
Leith Davis is Associate Professor of English at Simon Fraser University. She is the author of Acts of Union: Scotland and the Literary Negotiation of the British Nation, 1707-1830 (1998) and numerous articles on topics in Scottish and Irish literature of the eighteenth century and Romantic era.
Introduction Ian Duncan, with Leith Davis and Janet Sorensen; 1. Coleridge,
Hume, and the chains of the Romantic imagination Cairns Craig; 2. The
pathos of abstraction: Adam Smith, Ossian, and Samuel Johnson Ian Duncan;
3. Antiquarianism, the Scottish science of man, and the emergence of modern
disciplinarity Susan Manning; 4. Melancholy, memory and the 'Narrative
Situation' of history in post-enlightenment Scotland Ina Ferris; 5. Scott,
the Scottish enlightenment and Romantic orientalism James Watt; 6. Walter
Scott's Romantic postmodernity Jerome McGann; 7. Putting down the rising
John Barrell; 8. Joanna Baillie Stages the Nation Alyson Bardsley; 9.
William Wordsworth and William Cobbett: Scotch travel and British reform
Peter Manning; 10. Burns's topographies Penny Fielding; 11. At 'Sang
About': Scottish song and the challenge to British culture Leith Davis; 12.
Romantic spinstrelsy: Anne Bannerman and the sexual politics of the Ballad
Adriana Craciun; 13. 'The Fause Nourice Song': childhood, child murder, and
the formalism of the Scottish ballad revival Ann Wierda Rowland.
Hume, and the chains of the Romantic imagination Cairns Craig; 2. The
pathos of abstraction: Adam Smith, Ossian, and Samuel Johnson Ian Duncan;
3. Antiquarianism, the Scottish science of man, and the emergence of modern
disciplinarity Susan Manning; 4. Melancholy, memory and the 'Narrative
Situation' of history in post-enlightenment Scotland Ina Ferris; 5. Scott,
the Scottish enlightenment and Romantic orientalism James Watt; 6. Walter
Scott's Romantic postmodernity Jerome McGann; 7. Putting down the rising
John Barrell; 8. Joanna Baillie Stages the Nation Alyson Bardsley; 9.
William Wordsworth and William Cobbett: Scotch travel and British reform
Peter Manning; 10. Burns's topographies Penny Fielding; 11. At 'Sang
About': Scottish song and the challenge to British culture Leith Davis; 12.
Romantic spinstrelsy: Anne Bannerman and the sexual politics of the Ballad
Adriana Craciun; 13. 'The Fause Nourice Song': childhood, child murder, and
the formalism of the Scottish ballad revival Ann Wierda Rowland.
Introduction Ian Duncan, with Leith Davis and Janet Sorensen; 1. Coleridge,
Hume, and the chains of the Romantic imagination Cairns Craig; 2. The
pathos of abstraction: Adam Smith, Ossian, and Samuel Johnson Ian Duncan;
3. Antiquarianism, the Scottish science of man, and the emergence of modern
disciplinarity Susan Manning; 4. Melancholy, memory and the 'Narrative
Situation' of history in post-enlightenment Scotland Ina Ferris; 5. Scott,
the Scottish enlightenment and Romantic orientalism James Watt; 6. Walter
Scott's Romantic postmodernity Jerome McGann; 7. Putting down the rising
John Barrell; 8. Joanna Baillie Stages the Nation Alyson Bardsley; 9.
William Wordsworth and William Cobbett: Scotch travel and British reform
Peter Manning; 10. Burns's topographies Penny Fielding; 11. At 'Sang
About': Scottish song and the challenge to British culture Leith Davis; 12.
Romantic spinstrelsy: Anne Bannerman and the sexual politics of the Ballad
Adriana Craciun; 13. 'The Fause Nourice Song': childhood, child murder, and
the formalism of the Scottish ballad revival Ann Wierda Rowland.
Hume, and the chains of the Romantic imagination Cairns Craig; 2. The
pathos of abstraction: Adam Smith, Ossian, and Samuel Johnson Ian Duncan;
3. Antiquarianism, the Scottish science of man, and the emergence of modern
disciplinarity Susan Manning; 4. Melancholy, memory and the 'Narrative
Situation' of history in post-enlightenment Scotland Ina Ferris; 5. Scott,
the Scottish enlightenment and Romantic orientalism James Watt; 6. Walter
Scott's Romantic postmodernity Jerome McGann; 7. Putting down the rising
John Barrell; 8. Joanna Baillie Stages the Nation Alyson Bardsley; 9.
William Wordsworth and William Cobbett: Scotch travel and British reform
Peter Manning; 10. Burns's topographies Penny Fielding; 11. At 'Sang
About': Scottish song and the challenge to British culture Leith Davis; 12.
Romantic spinstrelsy: Anne Bannerman and the sexual politics of the Ballad
Adriana Craciun; 13. 'The Fause Nourice Song': childhood, child murder, and
the formalism of the Scottish ballad revival Ann Wierda Rowland.