Music hall was the most dynamic and successful popular theatre genre of the 19th century. This text explores all aspects of the Scottish music hall industry, from the lives and professional culture of performers and impresarios to the place of music hall in Scottish life and national identity.
Music hall was the most dynamic and successful popular theatre genre of the 19th century. This text explores all aspects of the Scottish music hall industry, from the lives and professional culture of performers and impresarios to the place of music hall in Scottish life and national identity.
Paul Maloney in Publications Editor for Scottish Opera
Inhaltsangabe
List of Illustrations General editor's foreword Acknowledgements 1. Introduction 2. The development of music hall, 1850-1885 3. 'A time for amusement': the introduction of variety 1880-1914 4. Performers I: the Scottish 'pro's' 5. Performers II: the music hall community in Glasgow 6. Performers III: 'Deceitful Minnie Reeve': respectability and the profession 7. Patriotism, empire and the Glasgow music hall 8. The Scottish music hall and the public 9. Conclusion Appendices Select bibliography Index
List of Illustrations General editor's foreword Acknowledgements 1. Introduction 2. The development of music hall, 1850-1885 3. 'A time for amusement': the introduction of variety 1880-1914 4. Performers I: the Scottish 'pro's' 5. Performers II: the music hall community in Glasgow 6. Performers III: 'Deceitful Minnie Reeve': respectability and the profession 7. Patriotism, empire and the Glasgow music hall 8. The Scottish music hall and the public 9. Conclusion Appendices Select bibliography Index
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