In a challenge to existing accounts of Romanticism, Murray Pittock provides a broad re-reading of British Romanticism. Locating Scottish and Irish Romantic writing in the wider context of the British Isles, he explores the dialogue between national traditions through a detailed consideration of a range of Scottish, Irish, and English writers.
In a challenge to existing accounts of Romanticism, Murray Pittock provides a broad re-reading of British Romanticism. Locating Scottish and Irish Romantic writing in the wider context of the British Isles, he explores the dialogue between national traditions through a detailed consideration of a range of Scottish, Irish, and English writers.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Murray Pittock is Professor of Scottish and Romantic literature at the University of Manchester and a Fellow of the Royal Society of Edinburgh; he previously held the Chair in Literature at the University of Strathclyde. His research on Romanticism, Jacobitism, and national identity is internationally recognized: his most recent publications include The Reception of Scott in Europe (2007) and the co-edited Edinburgh History of Scottish Literature (2006). A previous holder of the British Academy Chatterton lectureship in poetry and the Royal Society of Edinburgh's BP Humanities Research Prize, he is planning a series of events to celebrate the 250th anniversary of Burns' birth in 2009.
Inhaltsangabe
Preface 1: The Lake Isle of Romanticism: The Challenge to Literary History 2: Allan Ramsay and the Decolonization of Genre 3: Romance, the Aeolian Harp and the Theft of History 4: Strumming and Being Hanged: the Irish Bard and History Regained 5: Robert Fergusson and his Scottish and Irish Contemporaries 6: Robert Burns 7: Maria Edgeworth's National Tale 8: Scott and the European Nationalities Question 9: Hogg, Maturin, and the Gothic National Tale 10: Fratriotism: Sisters, Brothers, Empire and its Limits in the Scottish and Irish Imagination, c.1746-1837 Bibliography
Preface 1: The Lake Isle of Romanticism: The Challenge to Literary History 2: Allan Ramsay and the Decolonization of Genre 3: Romance, the Aeolian Harp and the Theft of History 4: Strumming and Being Hanged: the Irish Bard and History Regained 5: Robert Fergusson and his Scottish and Irish Contemporaries 6: Robert Burns 7: Maria Edgeworth's National Tale 8: Scott and the European Nationalities Question 9: Hogg, Maturin, and the Gothic National Tale 10: Fratriotism: Sisters, Brothers, Empire and its Limits in the Scottish and Irish Imagination, c.1746-1837 Bibliography
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