Introducing the neglected tradition of Scottish women's writing to readers who may already be familiar with English Victorian realism or the historical romances of Walter Scott and Robert Louis Stevenson, this book corrects male-dominated histories of the Scottish novel by demonstrating how women appropriated the masculine genre of romance.
Introducing the neglected tradition of Scottish women's writing to readers who may already be familiar with English Victorian realism or the historical romances of Walter Scott and Robert Louis Stevenson, this book corrects male-dominated histories of the Scottish novel by demonstrating how women appropriated the masculine genre of romance.
JULIET SHIELDS is a Professor of English at the University of Washington. She is also the author of Sentimental Literature and Anglo-Scottish Identity (2010) and Nation and Migration: the Making of British Atlantic Literature (2016).
Inhaltsangabe
Introduction: The Scottish Novel after Scott 1. Oliphant, Scott, and the Novelist's Trade 2. Annie S. Swan's Friendly Fiction 3. The Scottish New Woman and the Art of Self-Sacrifice 4. The Colonial Adventure Story and the Return of Romance 5. Scottish Modernism and Middlebrow Aesthetics Conclusion: The Ethics and Politics of Transfiguring the Commonplace.
Introduction: The Scottish Novel after Scott 1. Oliphant, Scott, and the Novelist's Trade 2. Annie S. Swan's Friendly Fiction 3. The Scottish New Woman and the Art of Self-Sacrifice 4. The Colonial Adventure Story and the Return of Romance 5. Scottish Modernism and Middlebrow Aesthetics Conclusion: The Ethics and Politics of Transfiguring the Commonplace.
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