Screen, Culture, Psyche illuminates recent developments in Jungian modes of media analysis, and illustrates how psychoanalytic theories have been adapted to allow for the interpretation of films and television programmes.
Screen, Culture, Psyche illuminates recent developments in Jungian modes of media analysis, and illustrates how psychoanalytic theories have been adapted to allow for the interpretation of films and television programmes.
John Izod is Professor of Screen Analysis and Head of the Department of Film & Media Studies at the University of Stirling where he has taught since 1978. He has published numerous articles, and is the author of two previous Jungian studies of films and television programmes.
Inhaltsangabe
Introduction. Barry Lyndon and the Limits of Understanding. The Hero as Failure: Stanley Kubrick's Eyes Wide Shut. What the Camera Took: Bernardo Bertolucci Stealing Beauty. Personal and National Politics in Bernardo Bertolucci's Besieged. The Politics of Youth Remembered: Bernardo Bertolucci's The Dreamers. Anima and the Political Dynamics of Cultural Stasis: The Case of S1møne. Myths in British Documentaries of the 1980s and 1990s. Westerns, Local and Global Imperialism. Conclusion. Filmography. References.
Introduction. Barry Lyndon and the Limits of Understanding. The Hero as Failure: Stanley Kubrick's Eyes Wide Shut. What the Camera Took: Bernardo Bertolucci Stealing Beauty. Personal and National Politics in Bernardo Bertolucci's Besieged. The Politics of Youth Remembered: Bernardo Bertolucci's The Dreamers. Anima and the Political Dynamics of Cultural Stasis: The Case of S1møne. Myths in British Documentaries of the 1980s and 1990s. Westerns, Local and Global Imperialism. Conclusion. Filmography. References.
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