As stories on screens claim a more pervasive and influential presence in contemporary culture, Screen Stories argues for a restructuring of film and media studies' approach to ethics.
As stories on screens claim a more pervasive and influential presence in contemporary culture, Screen Stories argues for a restructuring of film and media studies' approach to ethics.
Carl Plantinga is Professor of Film and Media at Calvin College. He is author or co-editor of five books on topics ranging from the documentary to the philosophy of film to the place of emotion in film viewing.
Inhaltsangabe
Introduction The Evolution of a Perspective Structure of the Book Part One: The Power of Screen Stories 1. The Power of Screen Stories 2. The Rhetoric of Screen Stories 3. Transfer and Cultivation 4. Caveats and Complications Part Two: Ethics and Engagement 5. Engagement and Estrangement 6. Immersion and Emotion 7. Moralities and Characters as Moral Agents 8. The Personal and the Political 9. Mood and Ethics Part Three: The Contours of Engagement 10. Ethics and Character Engagement 11. Narrative Structure: Closure and Frame Shifters 12. Narrative Paradigm Scenarios: Revenge and the Other 13. Conclusion Bibliography
Introduction The Evolution of a Perspective Structure of the Book Part One: The Power of Screen Stories 1. The Power of Screen Stories 2. The Rhetoric of Screen Stories 3. Transfer and Cultivation 4. Caveats and Complications Part Two: Ethics and Engagement 5. Engagement and Estrangement 6. Immersion and Emotion 7. Moralities and Characters as Moral Agents 8. The Personal and the Political 9. Mood and Ethics Part Three: The Contours of Engagement 10. Ethics and Character Engagement 11. Narrative Structure: Closure and Frame Shifters 12. Narrative Paradigm Scenarios: Revenge and the Other 13. Conclusion Bibliography
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