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"Drawing upon economic data, promotional material, fandom, and the trade press, Charles R. Acland takes his study of contemporary cinema culture into the busy intersection of debates about post-national and post-cinematic audiences. Acland assesses the cross-marketed media landscape--megaplexes, television, videotapes, DVDs, fast-food, music, and the web--and deftly maps the global consequences of traffic across these new forms of mobilized visuality."--Anne Friedberg, University of Southern California

Produktbeschreibung
"Drawing upon economic data, promotional material, fandom, and the trade press, Charles R. Acland takes his study of contemporary cinema culture into the busy intersection of debates about post-national and post-cinematic audiences. Acland assesses the cross-marketed media landscape--megaplexes, television, videotapes, DVDs, fast-food, music, and the web--and deftly maps the global consequences of traffic across these new forms of mobilized visuality."--Anne Friedberg, University of Southern California
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Autorenporträt
Charles R. Acland is Associate Professor of Communications Studies at Concordia University, Montreal. He is the author of Youth, Murder, Spectacle: The Cultural Politics of “Youth in Crisis” and coeditor of Harold Innis in the New Century: Reflections and Refractions.