'Screen Writings: Genres, Classics, and Aesthetics' offers close readings of genre films and acknowledged film classics in an attempt to explore both the aesthetics of genre and the definition of 'classic' - as well as the changing perception of so-called classic movies over time.
'Screen Writings: Genres, Classics, and Aesthetics' offers close readings of genre films and acknowledged film classics in an attempt to explore both the aesthetics of genre and the definition of 'classic' - as well as the changing perception of so-called classic movies over time.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Bert Cardullo is Professor and Chair of Media and Communication at the Izmir University of Economics in Turkey.
Inhaltsangabe
List of Illustrations Introduction: The Film of Value Part I. Film Genres, Film Classics, and Film Aesthetics Shooting the City: The Gangster, Manhattanites, and the Movies Back to the Future, or the Vanguard Meets the Rearguard Flags and Letters, Men and War Farce, Dreams, and Desire: Some Like It Hot Re-viewed Interlude Switching Genres, or Playing to the Camera, Playing to the House: Stage vs. Screen Acting On the Road Again: The Road Film and the Two Coppolas The Coming-of-Age Fim a la Fellini: The Case of I vitelloni Early vs. Later Bergman: Winter Light and Autumn Sonata Revisited "Everyone Has His Reasons": Words, Images, and La grande illusion in the Cinema of Jean Renoir A Passage to Tokyo: The Art of Ozu, Remembered Through the Looking Glass: The American Art Cinema in an Age of Social Change Bibliography Index
List of Illustrations Introduction: The Film of Value Part I. Film Genres, Film Classics, and Film Aesthetics Shooting the City: The Gangster, Manhattanites, and the Movies Back to the Future, or the Vanguard Meets the Rearguard Flags and Letters, Men and War Farce, Dreams, and Desire: Some Like It Hot Re-viewed Interlude Switching Genres, or Playing to the Camera, Playing to the House: Stage vs. Screen Acting On the Road Again: The Road Film and the Two Coppolas The Coming-of-Age Fim a la Fellini: The Case of I vitelloni Early vs. Later Bergman: Winter Light and Autumn Sonata Revisited "Everyone Has His Reasons": Words, Images, and La grande illusion in the Cinema of Jean Renoir A Passage to Tokyo: The Art of Ozu, Remembered Through the Looking Glass: The American Art Cinema in an Age of Social Change Bibliography Index
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