Dance and film have shared a dynamic relationship since the advent of cinema--a natural interplay that developed into the genre known as screendance. Charting the history of screendance festivals, this book examines important shifts in practice and theory, distinct festival eras and communities, and the process of selecting and programming works.
Dance and film have shared a dynamic relationship since the advent of cinema--a natural interplay that developed into the genre known as screendance. Charting the history of screendance festivals, this book examines important shifts in practice and theory, distinct festival eras and communities, and the process of selecting and programming works.
Cara Hagan is an interdisciplinary artist and scholar whose work is informed by movement, digital space, words, contemplative practice, and community. She is the director and curator for ADF's Movies by Movers, an annual, international screendance festival under the auspices of the American Dance Festival. Her scholarly works can be found in the International Journal of Screendance, The Journal of Dance Education and Dance Magazine.
Inhaltsangabe
Table of Contents Acknowledgments Introduction 1. Falling in Love 2. An Art Worth Celebrating 3. Screendance Before the Screendance Festival 4. The Four Generations of Screendance Festivals 5. Screendance Festival Models 6. Curating: A Historical, Practical and Philosophical Exploration 7. Mapping Curatorial Development in Screendance Festivals 8. Curatorial Adventures 9. Investigating Representation as Curatorial Activism 10. Case Studies 11. Curatorial Considerations 12. A Treatise on Curating Chapter Notes Bibliography Index
Table of Contents Acknowledgments Introduction 1. Falling in Love 2. An Art Worth Celebrating 3. Screendance Before the Screendance Festival 4. The Four Generations of Screendance Festivals 5. Screendance Festival Models 6. Curating: A Historical, Practical and Philosophical Exploration 7. Mapping Curatorial Development in Screendance Festivals 8. Curatorial Adventures 9. Investigating Representation as Curatorial Activism 10. Case Studies 11. Curatorial Considerations 12. A Treatise on Curating Chapter Notes Bibliography Index
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