Examines American screen culture and its power to create and sustain values. Looking specifically at the ways in which nostalgia colours the visions of American life, essays explore contemporary American ideology as it is created and sustained by the screen.
Examines American screen culture and its power to create and sustain values. Looking specifically at the ways in which nostalgia colours the visions of American life, essays explore contemporary American ideology as it is created and sustained by the screen.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Susan Flynn is the director of Educore, the education research center of the Institute of Technology, Carlow, Ireland, an associate researcher at University College Dublin and a Fellow of the Higher Education Academy in the United Kingdom. She specializes in digital screen culture, equality and pedagogy. Antonia Mackay is a lecturer at Oxford Brookes University, United Kingdom. She specializes in American literature and culture, twentieth and twenty-first century literature and cultural and media studies.
Inhaltsangabe
Table of Contents Acknowledgments Introduction: Nostalgia, an Enduring Lens Susan Flynn and Antonia Mackay "No more than a dream remembered": Gone with the Wind, Nostalgia and the Old South Plantation Imaginary David Anderson Western Nostalgia and the Cautionary Tale in John Ford's The Man Who Shot Liberty Valance Scott Pearce "Never start a fight, always finish it": Police Corruption and Public Outrage in Clint Eastwood's Changeling Brennan Thomas Stranger Things in Strange Times: Nostalgia, Surveillance and Temporality Antonia Mackay "Super-secret spies, living next door": Family and Soft Power in The Americans Barbara Miceli In the Engine Room of the Hyperreal: Nostalgia as Commodity Culture Leander Reeves Twin Peaks: The Return and the Gothic of Nostalgic Television Joel Hawkes Regulating Sex, Surveilling Sex: Pornographic Nostalgia in The Deuce Kelly Coyne Day Zero: Photographs at the Epicenter of History Jennifer Good The Once and Future Thing: Consumption, Nostalgia and Future SF Film Dystopias Pete Boss What Happened to the "Good Old Days"? Nostalgic Refraction in the Fallout Franchise Jessica Ruth Austin About the Contributors Index
Table of Contents Acknowledgments Introduction: Nostalgia, an Enduring Lens Susan Flynn and Antonia Mackay "No more than a dream remembered": Gone with the Wind, Nostalgia and the Old South Plantation Imaginary David Anderson Western Nostalgia and the Cautionary Tale in John Ford's The Man Who Shot Liberty Valance Scott Pearce "Never start a fight, always finish it": Police Corruption and Public Outrage in Clint Eastwood's Changeling Brennan Thomas Stranger Things in Strange Times: Nostalgia, Surveillance and Temporality Antonia Mackay "Super-secret spies, living next door": Family and Soft Power in The Americans Barbara Miceli In the Engine Room of the Hyperreal: Nostalgia as Commodity Culture Leander Reeves Twin Peaks: The Return and the Gothic of Nostalgic Television Joel Hawkes Regulating Sex, Surveilling Sex: Pornographic Nostalgia in The Deuce Kelly Coyne Day Zero: Photographs at the Epicenter of History Jennifer Good The Once and Future Thing: Consumption, Nostalgia and Future SF Film Dystopias Pete Boss What Happened to the "Good Old Days"? Nostalgic Refraction in the Fallout Franchise Jessica Ruth Austin About the Contributors Index
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