Screening American Nostalgia
Essays on Pop Culture Constructions of Past Times
Herausgeber: Flynn, Susan; Mackay, Antonia
Screening American Nostalgia
Essays on Pop Culture Constructions of Past Times
Herausgeber: Flynn, Susan; Mackay, Antonia
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Examines American screen culture and its power to create and sustain values. Looking specifically at the ways in which nostalgia colours the visions of American life, essays explore contemporary American ideology as it is created and sustained by the screen.
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Examines American screen culture and its power to create and sustain values. Looking specifically at the ways in which nostalgia colours the visions of American life, essays explore contemporary American ideology as it is created and sustained by the screen.
Produktdetails
- Produktdetails
- Verlag: McFarland & Co Inc
- Seitenzahl: 218
- Erscheinungstermin: 26. Juli 2021
- Englisch
- Abmessung: 229mm x 152mm x 14mm
- Gewicht: 304g
- ISBN-13: 9781476680743
- ISBN-10: 1476680744
- Artikelnr.: 62517950
- Verlag: McFarland & Co Inc
- Seitenzahl: 218
- Erscheinungstermin: 26. Juli 2021
- Englisch
- Abmessung: 229mm x 152mm x 14mm
- Gewicht: 304g
- ISBN-13: 9781476680743
- ISBN-10: 1476680744
- Artikelnr.: 62517950
Susan Flynn is the director of Educore, the education research center of the Institute of Technology, Carlow, Ireland, an associate researcher at University College Dublin and a Fellow of the Higher Education Academy in the United Kingdom. She specializes in digital screen culture, equality and pedagogy. Antonia Mackay is a lecturer at Oxford Brookes University, United Kingdom. She specializes in American literature and culture, twentieth and twenty-first century literature and cultural and media studies.
Table of Contents
Acknowledgments
Introduction: Nostalgia, an Enduring Lens
Susan Flynn and Antonia Mackay
"No more than a dream remembered": Gone with the Wind, Nostalgia and the
Old South Plantation Imaginary
David Anderson
Western Nostalgia and the Cautionary Tale in John Ford's The Man Who Shot
Liberty Valance
Scott Pearce
"Never start a fight, always finish it": Police Corruption and Public
Outrage in Clint Eastwood's Changeling
Brennan Thomas
Stranger Things in Strange Times: Nostalgia, Surveillance and Temporality
Antonia Mackay
"Super-secret spies, living next door": Family and Soft Power in The
Americans
Barbara Miceli
In the Engine Room of the Hyperreal: Nostalgia as Commodity Culture
Leander Reeves
Twin Peaks: The Return and the Gothic of Nostalgic Television
Joel Hawkes
Regulating Sex, Surveilling Sex: Pornographic Nostalgia in The Deuce
Kelly Coyne
Day Zero: Photographs at the Epicenter of History
Jennifer Good
The Once and Future Thing: Consumption, Nostalgia and Future SF Film
Dystopias
Pete Boss
What Happened to the "Good Old Days"? Nostalgic Refraction in the Fallout
Franchise
Jessica Ruth Austin
About the Contributors
Index
Acknowledgments
Introduction: Nostalgia, an Enduring Lens
Susan Flynn and Antonia Mackay
"No more than a dream remembered": Gone with the Wind, Nostalgia and the
Old South Plantation Imaginary
David Anderson
Western Nostalgia and the Cautionary Tale in John Ford's The Man Who Shot
Liberty Valance
Scott Pearce
"Never start a fight, always finish it": Police Corruption and Public
Outrage in Clint Eastwood's Changeling
Brennan Thomas
Stranger Things in Strange Times: Nostalgia, Surveillance and Temporality
Antonia Mackay
"Super-secret spies, living next door": Family and Soft Power in The
Americans
Barbara Miceli
In the Engine Room of the Hyperreal: Nostalgia as Commodity Culture
Leander Reeves
Twin Peaks: The Return and the Gothic of Nostalgic Television
Joel Hawkes
Regulating Sex, Surveilling Sex: Pornographic Nostalgia in The Deuce
Kelly Coyne
Day Zero: Photographs at the Epicenter of History
Jennifer Good
The Once and Future Thing: Consumption, Nostalgia and Future SF Film
Dystopias
Pete Boss
What Happened to the "Good Old Days"? Nostalgic Refraction in the Fallout
Franchise
Jessica Ruth Austin
About the Contributors
Index
Table of Contents
Acknowledgments
Introduction: Nostalgia, an Enduring Lens
Susan Flynn and Antonia Mackay
"No more than a dream remembered": Gone with the Wind, Nostalgia and the
Old South Plantation Imaginary
David Anderson
Western Nostalgia and the Cautionary Tale in John Ford's The Man Who Shot
Liberty Valance
Scott Pearce
"Never start a fight, always finish it": Police Corruption and Public
Outrage in Clint Eastwood's Changeling
Brennan Thomas
Stranger Things in Strange Times: Nostalgia, Surveillance and Temporality
Antonia Mackay
"Super-secret spies, living next door": Family and Soft Power in The
Americans
Barbara Miceli
In the Engine Room of the Hyperreal: Nostalgia as Commodity Culture
Leander Reeves
Twin Peaks: The Return and the Gothic of Nostalgic Television
Joel Hawkes
Regulating Sex, Surveilling Sex: Pornographic Nostalgia in The Deuce
Kelly Coyne
Day Zero: Photographs at the Epicenter of History
Jennifer Good
The Once and Future Thing: Consumption, Nostalgia and Future SF Film
Dystopias
Pete Boss
What Happened to the "Good Old Days"? Nostalgic Refraction in the Fallout
Franchise
Jessica Ruth Austin
About the Contributors
Index
Acknowledgments
Introduction: Nostalgia, an Enduring Lens
Susan Flynn and Antonia Mackay
"No more than a dream remembered": Gone with the Wind, Nostalgia and the
Old South Plantation Imaginary
David Anderson
Western Nostalgia and the Cautionary Tale in John Ford's The Man Who Shot
Liberty Valance
Scott Pearce
"Never start a fight, always finish it": Police Corruption and Public
Outrage in Clint Eastwood's Changeling
Brennan Thomas
Stranger Things in Strange Times: Nostalgia, Surveillance and Temporality
Antonia Mackay
"Super-secret spies, living next door": Family and Soft Power in The
Americans
Barbara Miceli
In the Engine Room of the Hyperreal: Nostalgia as Commodity Culture
Leander Reeves
Twin Peaks: The Return and the Gothic of Nostalgic Television
Joel Hawkes
Regulating Sex, Surveilling Sex: Pornographic Nostalgia in The Deuce
Kelly Coyne
Day Zero: Photographs at the Epicenter of History
Jennifer Good
The Once and Future Thing: Consumption, Nostalgia and Future SF Film
Dystopias
Pete Boss
What Happened to the "Good Old Days"? Nostalgic Refraction in the Fallout
Franchise
Jessica Ruth Austin
About the Contributors
Index