Screening Art represents the first full-length study of films about art and artists produced by the state-owned Eastern German film studio DEFA. It investigates the essential role that these "art films" played in the development of new paradigms of socialist art in post-war Europe.
Screening Art represents the first full-length study of films about art and artists produced by the state-owned Eastern German film studio DEFA. It investigates the essential role that these "art films" played in the development of new paradigms of socialist art in post-war Europe.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Seán Allan is Professor of German at the University of St Andrews. His publications include the co-edited volumes Re-Imagining DEFA: East German Cinema in its National and Transnational Contexts (with Sebastian Heiduschke, 2016) and DEFA: East German Cinema, 1946-1992 (with John Sandford, 1999). He has published widely on the films of Konrad Wolf, Kurt Maetzig and Jürgen Böttcher, and on East German identity in post-unification cinema.
Inhaltsangabe
List of Figures Acknowledgements Introduction: Texts and Contexts Chapter 1. German Classical Humanism and the Sovietisation of Culture Chapter 2. Cosmopolitanism, Formalism, and Fantasies of National Culture Chapter 3. Experiments in Modernism I: From Bitterfeld to Barlach Chapter 4. Experiments in Modernism II: Responses to the Eleventh Plenum Chapter 5. New Ways of Seeing: Jürgen Böttcher and the Transformation of Tradition Chapter 6. The Dialectic of Enlightenment and the Romantic Turn Epilogue: Art, Exile and the Socialist Imaginary Filmography Bibliography Index
List of Figures Acknowledgements Introduction: Texts and Contexts Chapter 1. German Classical Humanism and the Sovietisation of Culture Chapter 2. Cosmopolitanism, Formalism, and Fantasies of National Culture Chapter 3. Experiments in Modernism I: From Bitterfeld to Barlach Chapter 4. Experiments in Modernism II: Responses to the Eleventh Plenum Chapter 5. New Ways of Seeing: Jürgen Böttcher and the Transformation of Tradition Chapter 6. The Dialectic of Enlightenment and the Romantic Turn Epilogue: Art, Exile and the Socialist Imaginary Filmography Bibliography Index
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