Provides a much-needed reference for those interested in comprehending the complex shifts in twenty-first century French cinemaHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Sylvie Durmelat is an associate professor of French and Francophone studies at Georgetown University. She is the author of Fictions de l'intégration: du mot beur à la politique de la mémoire. Vinay Swamy is an associate professor of French and Francophone studies at Vassar College and the author of Interpreting the Republic: Marginalization and Belonging in Contemporary French Novels and Films.
Inhaltsangabe
Acknowledgments Introduction Sylvie Durmelat and Vinay Swamy 1. From "Ghettoes" to Globalization: Situating Maghrebi-French Filmmakers Alec G. Hargreaves 2. Hidden Islam: The Role of the Religious in Beur and Banlieue Cinema Michel Cadé 3. "Et si on allait en Algérie?" Home, Displacement, and the Myth of Return in Recent Journey Films by Maghrebi-French and North African Émigré Directors Will Higbee 4. Turning Integration Inside Out: How Johnny the Frenchman Became Abdel Bachir the Arab Grocer in Il était une fois dans l'oued Hakim Abderrezak 5. Re-Visions of the Algerian War of Independence: Writing the Memories of Algerian Immigrants into French Cinema Sylvie Durmelat 6. Rachid Bouchareb's Indigènes: Political or Ethical Event of Memory? Mireille Rosello 7. Class Acts: Education, Gender, and Integration in Recent French Cinema Carrie Tarr 8. Don't Touch the White Woman: La journée de la jupe or Feminism at the Service of Islamophobia Geneviève Sellier 9. A Space of Their Own? Women in Maghrebi-French Filmmaking Patricia Geesey 10. Sexual/Social (Re)Orientations: Cross-Dressing, Queerness, and the Maghrebi/Beur Male in Liria Bégéja's Change-moi ma vie and Amal Bedjaoui's Un fils Darren Waldron 11. (Re)Casting Sami Bouajila: An Ambiguous Model of Integration, Belonging, and Citizenship Murray Pratt and Denis M. Provencher 12. Repackaging the Banlieues: Malik Chibane's La trilogie urbaine Vinay Swamy Filmography Contributors Index
Acknowledgments Introduction Sylvie Durmelat and Vinay Swamy 1. From "Ghettoes" to Globalization: Situating Maghrebi-French Filmmakers Alec G. Hargreaves 2. Hidden Islam: The Role of the Religious in Beur and Banlieue Cinema Michel Cadé 3. "Et si on allait en Algérie?" Home, Displacement, and the Myth of Return in Recent Journey Films by Maghrebi-French and North African Émigré Directors Will Higbee 4. Turning Integration Inside Out: How Johnny the Frenchman Became Abdel Bachir the Arab Grocer in Il était une fois dans l'oued Hakim Abderrezak 5. Re-Visions of the Algerian War of Independence: Writing the Memories of Algerian Immigrants into French Cinema Sylvie Durmelat 6. Rachid Bouchareb's Indigènes: Political or Ethical Event of Memory? Mireille Rosello 7. Class Acts: Education, Gender, and Integration in Recent French Cinema Carrie Tarr 8. Don't Touch the White Woman: La journée de la jupe or Feminism at the Service of Islamophobia Geneviève Sellier 9. A Space of Their Own? Women in Maghrebi-French Filmmaking Patricia Geesey 10. Sexual/Social (Re)Orientations: Cross-Dressing, Queerness, and the Maghrebi/Beur Male in Liria Bégéja's Change-moi ma vie and Amal Bedjaoui's Un fils Darren Waldron 11. (Re)Casting Sami Bouajila: An Ambiguous Model of Integration, Belonging, and Citizenship Murray Pratt and Denis M. Provencher 12. Repackaging the Banlieues: Malik Chibane's La trilogie urbaine Vinay Swamy Filmography Contributors Index
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