The contributors to Screening Race in American Nontheatrical Film examine the place and role of race in educational films, home movies, industry and government films, anthropological films, church films, and other forms of noncommercial filmmaking throughout the twentieth century.
The contributors to Screening Race in American Nontheatrical Film examine the place and role of race in educational films, home movies, industry and government films, anthropological films, church films, and other forms of noncommercial filmmaking throughout the twentieth century.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Allyson Nadia Field is Associate Professor of Cinema and Media Studies at the University of Chicago. Marsha Gordon is Professor of Film Studies at North Carolina State University. Jacqueline Najuma Stewart is Professor of Cinema and Media Studies at the University of Chicago.
Inhaltsangabe
Note on the Companion Website ix Foreword. Giving Voice, Taking Voice: Nonwhite and Nontheatrical / Jacqueline Najuma Stewart xi Acknowledgments xxv Introduction / Allyson Nadia Field and Marsha Gordon 1 1. "A Vanishing Race"? The Native American Films of J. K. Nixon / Caitlin McGrath 29 2. "Regardless of Race, Color, or Creed": Filming the Henry Street Settlement Visiting Nurse Service, 1924–1933 / Tanya Goldman 51 3. "I'll See You in Church": Local Films in African American Communities, 1924–1962 / Martin L. Johnson 71 4. The Politics of Vanishing Celluloid: Fort Rupert (1951) and the Kwakwaka'wakw in American Ethnographic Film / Colin Williamson 92 5. Red Star/Black Star: The Early Career of Film Editor Hortense "Tee" Beveridge, 1948–1968 / Walter Forsberg 112 6. Charles and Ray Eames's Day of the Dead (1957): Mexican Folk Art, Educational Film and Chicana/o Art / Colin Gunkel 136 7. Ever-Widening Horizons? The National Urban League and the Pathologization of Blackness in A Morning for Jimmy (1960) / Michelle Kelley 157 8. "A Touch of the Orient": Negotiating Japanese American Identity in The Challenge (1957) / Todd Kushigemachi and Dino Everett 175 9. "I Have My Choice": Behind Every Good Man (1967) and the Black Queer Subject in American Nontheatrical Film / Noah Tsika 194 10. Televising Watts: Joe Saltzman's Black on Black (1968) on KNXT / Joshua Glick 217 11. "A New Sense of Black Awareness"? Navigating Expectations in The Black Cop (1969) / Travis L. Wagner and Mark Garrett Cooper 236 12. "Don't Be a Segregationist: Program Films for Everyone": The New York Public Library's Film Library and Youth Film Workshops / Elena Rossi-Snook and Lauren Tilton 253 13. Teenage Moviemaking in the Lower East Side: The Rivington Street Film Club, 1966–1974 / Noelle Griffis 271 14. Ro-Revus Talks about Race: South Carolina Malnutrition and Parasite Films, 1968–1975 / Dan Streible 290 15. Government-Sponsored Film and Latinidad: Voice of La Raza (1973) / Laura Isabel Serna 313 16. An Aesthetics of Multiculturalism: Asian American Assimilation and the Learning Corporation of America's Many Americans Series (1970–1982) / Nadine Chan 333 17. "The Right Kind of Family": Memories to Light and the Home Movie as Racialized Technology / Crystal Mun-Hye Baik 353 18. Black Home Movies: Time to Represent / Jasmyn R. Castro 372 Selected Bibliography 392 Contributors 401 Index 403
Note on the Companion Website ix Foreword. Giving Voice, Taking Voice: Nonwhite and Nontheatrical / Jacqueline Najuma Stewart xi Acknowledgments xxv Introduction / Allyson Nadia Field and Marsha Gordon 1 1. "A Vanishing Race"? The Native American Films of J. K. Nixon / Caitlin McGrath 29 2. "Regardless of Race, Color, or Creed": Filming the Henry Street Settlement Visiting Nurse Service, 1924–1933 / Tanya Goldman 51 3. "I'll See You in Church": Local Films in African American Communities, 1924–1962 / Martin L. Johnson 71 4. The Politics of Vanishing Celluloid: Fort Rupert (1951) and the Kwakwaka'wakw in American Ethnographic Film / Colin Williamson 92 5. Red Star/Black Star: The Early Career of Film Editor Hortense "Tee" Beveridge, 1948–1968 / Walter Forsberg 112 6. Charles and Ray Eames's Day of the Dead (1957): Mexican Folk Art, Educational Film and Chicana/o Art / Colin Gunkel 136 7. Ever-Widening Horizons? The National Urban League and the Pathologization of Blackness in A Morning for Jimmy (1960) / Michelle Kelley 157 8. "A Touch of the Orient": Negotiating Japanese American Identity in The Challenge (1957) / Todd Kushigemachi and Dino Everett 175 9. "I Have My Choice": Behind Every Good Man (1967) and the Black Queer Subject in American Nontheatrical Film / Noah Tsika 194 10. Televising Watts: Joe Saltzman's Black on Black (1968) on KNXT / Joshua Glick 217 11. "A New Sense of Black Awareness"? Navigating Expectations in The Black Cop (1969) / Travis L. Wagner and Mark Garrett Cooper 236 12. "Don't Be a Segregationist: Program Films for Everyone": The New York Public Library's Film Library and Youth Film Workshops / Elena Rossi-Snook and Lauren Tilton 253 13. Teenage Moviemaking in the Lower East Side: The Rivington Street Film Club, 1966–1974 / Noelle Griffis 271 14. Ro-Revus Talks about Race: South Carolina Malnutrition and Parasite Films, 1968–1975 / Dan Streible 290 15. Government-Sponsored Film and Latinidad: Voice of La Raza (1973) / Laura Isabel Serna 313 16. An Aesthetics of Multiculturalism: Asian American Assimilation and the Learning Corporation of America's Many Americans Series (1970–1982) / Nadine Chan 333 17. "The Right Kind of Family": Memories to Light and the Home Movie as Racialized Technology / Crystal Mun-Hye Baik 353 18. Black Home Movies: Time to Represent / Jasmyn R. Castro 372 Selected Bibliography 392 Contributors 401 Index 403
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