Rather than limiting the cinema, as certain French New Wave critics feared, adaptation has encouraged new inspiration to explore the possibilities of the intersection of text and film. This collection of essays covers various aspects of adaptation studies--questions of genre and myth, race and gender, readaptation, and pedagogical and practical approaches.
Rather than limiting the cinema, as certain French New Wave critics feared, adaptation has encouraged new inspiration to explore the possibilities of the intersection of text and film. This collection of essays covers various aspects of adaptation studies--questions of genre and myth, race and gender, readaptation, and pedagogical and practical approaches.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Shannon Wells-Lassagne is an associate professor at the Université de Bretagne Sud in Lorient, France. Ariane Hudelet is an associate professor at Université de Paris 7 and lives in Paris, France.
Inhaltsangabe
Table of Contents Introduction deleteShannon Wells-Lassagne and Ariane Hudelet Part 1. Setting the Scene Adaptation, Sound and Shakespeare in the 1930s deleteDeborah Cartmell Postmodern Screened Writers deleteKamilla Elliott Part 2. Adapting Genre True Stories: Film and the Non-Fiction Narrative deleteKevin Dwyer The Writing of a Film Noir: Ernest Hemingway and The Killers deleteDelphine Letort Three Filmic Avatars of The Maltese Falcon deleteGilles Menegaldo The Aesthetic of Epic in Kenneth Branagh's Hamlet deleteSarah Hatchuel Part 3. Sociocultural Concerns: Race and Gender White Lies, Noir Lighting, Dark Others deleteJoyce Goggin Making Red Black: Race and The Shawshank Redemption deleteDonald Ulin Shaft's Political Shifts deleteHélène Charlery Sexual Politics: The Last September, Novel and Film deleteShannon Wells-Lassagne Jane Austen Goes to Bollywood ... with a Pinch of Salt deleteFlorence Cabaret Part 4. Aesthetics of Adaptation Surface and Depth in Korea deleteNicole Cloarec The Visible in Howards End and The Remains of the deleteKarim Chabani Adapting E. M. Forster's Subversive Aesthetics deleteLaurent Mellet Part 5. Remakes and Readaptation Re-Adaptation as Part of the Myth: Orson Welles and Don Quixote's "Outings" deleteSébastien Lefait Bad Shakespeare: Adapting a Tradition deleteCharles Holdefer Readapting "the Horror": Versions of Conrad's Heart of Darkness deleteGene M. Moore Three Scarfaces: Documents, Messages and Works of deleteDominique Sipière Conclusion: From Theory to Practice Lost in Adaptation-A Producer's View deleteRoger Shannon Bibliography About the Contributors Index
Table of Contents Introduction deleteShannon Wells-Lassagne and Ariane Hudelet Part 1. Setting the Scene Adaptation, Sound and Shakespeare in the 1930s deleteDeborah Cartmell Postmodern Screened Writers deleteKamilla Elliott Part 2. Adapting Genre True Stories: Film and the Non-Fiction Narrative deleteKevin Dwyer The Writing of a Film Noir: Ernest Hemingway and The Killers deleteDelphine Letort Three Filmic Avatars of The Maltese Falcon deleteGilles Menegaldo The Aesthetic of Epic in Kenneth Branagh's Hamlet deleteSarah Hatchuel Part 3. Sociocultural Concerns: Race and Gender White Lies, Noir Lighting, Dark Others deleteJoyce Goggin Making Red Black: Race and The Shawshank Redemption deleteDonald Ulin Shaft's Political Shifts deleteHélène Charlery Sexual Politics: The Last September, Novel and Film deleteShannon Wells-Lassagne Jane Austen Goes to Bollywood ... with a Pinch of Salt deleteFlorence Cabaret Part 4. Aesthetics of Adaptation Surface and Depth in Korea deleteNicole Cloarec The Visible in Howards End and The Remains of the deleteKarim Chabani Adapting E. M. Forster's Subversive Aesthetics deleteLaurent Mellet Part 5. Remakes and Readaptation Re-Adaptation as Part of the Myth: Orson Welles and Don Quixote's "Outings" deleteSébastien Lefait Bad Shakespeare: Adapting a Tradition deleteCharles Holdefer Readapting "the Horror": Versions of Conrad's Heart of Darkness deleteGene M. Moore Three Scarfaces: Documents, Messages and Works of deleteDominique Sipière Conclusion: From Theory to Practice Lost in Adaptation-A Producer's View deleteRoger Shannon Bibliography About the Contributors Index
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