This collection draws connections between the ways in which animals represented on screen translate into reality. In doing so, it demonstrates that media consumption is not a neutral act but, rather, a political one. The images humans consume have real-world consequences for how animals are treated as actors, as pets, and in nature.
This collection draws connections between the ways in which animals represented on screen translate into reality. In doing so, it demonstrates that media consumption is not a neutral act but, rather, a political one. The images humans consume have real-world consequences for how animals are treated as actors, as pets, and in nature.
Edited by Amber E. George and J.L. Schatz - Contributions by Joseph Anderton; Michael Atkinson; Fernando Pagnoni Berns; Christina Victoria Cedillo; Amber E. George; Stella Hockenhull; Anja Höing; am Husemann; Fiona Yuk-wa Law; Matthew Lerberg; César Marin
Inhaltsangabe
Introduction: Critical Media Studies and Critical Animal Studies at the Crossroads Amber George and J.L. Schatz Part I Chapter One: The Brown Wizard's Unexpected Politics: Speciesist Fiction and the Ethics of The Hobbit J.L. Schatz Chapter Two: The Passing Faerie and the Transforming Raven: Animalized Compulsory Re-covery Endurance and Dis/ability in Maleficent Jennifer Polish Chapter Three: Jabbering Jaws: Reimagining Representations of Sharks Post-Jaws Matthew Lerberg Chapter Four: Horseplay: Beastly Cinematic Performances in Steven Spielberg's War Horse Stella Hockenhull Chapter Five: Would Bugs Bunny Have Diabetes?: The Realistic Consequences of Cartoons for Non/Human Animals Amber E. George Part II Chapter Six: I Am Legend (2007) U.S. Imperialism and the Liminal Animality of "The Last Man Carter Soles Chapter Seven: Ape Anxiety: Intelligence Human Supremacy and Rise and Dawn of the Planet of the Apes Sean Parson Chapter Eight: The Vicious Cycle of Disnification and Audience Demands: Representations of the Non/Human in Martin Rosen's Watership Down (1978) and The Plague Dogs (1982) Anja Höing & Harald Husemann Chapter Nine: The "Nature-Run-Amok" Cinema of the 1970s: Representation of Non/human Animals in Frogs and Orca Fernando Gabriel Pagnoni Berns and César Alfonso Marino Part III Chapter Ten: Cyberbeasts: Substitution and Trivialization of the Non/Human Animal in Home Movies Memes and Video Games Joseph Anderton Chapter Eleven: Pet-Animals in the Concrete Jungle: Tales of Abandonment Failures and Sentimentality in San Hua and Twelve Nights Fiona Yuk-wa Law Chapter Twelve: In Defense of Non/Humans: Mystification and Oppression in the Sports Mascoting Process Guilherme Nothen and Michael Atkinson Chapter Thirteen: On Empathy Anthropocentrism and Rhetorical Tropes: An Analysis of Online "Save the Bees!" Campaign Images Christina Victoria Cedillo
Introduction: Critical Media Studies and Critical Animal Studies at the Crossroads Amber George and J.L. Schatz Part I Chapter One: The Brown Wizard's Unexpected Politics: Speciesist Fiction and the Ethics of The Hobbit J.L. Schatz Chapter Two: The Passing Faerie and the Transforming Raven: Animalized Compulsory Re-covery Endurance and Dis/ability in Maleficent Jennifer Polish Chapter Three: Jabbering Jaws: Reimagining Representations of Sharks Post-Jaws Matthew Lerberg Chapter Four: Horseplay: Beastly Cinematic Performances in Steven Spielberg's War Horse Stella Hockenhull Chapter Five: Would Bugs Bunny Have Diabetes?: The Realistic Consequences of Cartoons for Non/Human Animals Amber E. George Part II Chapter Six: I Am Legend (2007) U.S. Imperialism and the Liminal Animality of "The Last Man Carter Soles Chapter Seven: Ape Anxiety: Intelligence Human Supremacy and Rise and Dawn of the Planet of the Apes Sean Parson Chapter Eight: The Vicious Cycle of Disnification and Audience Demands: Representations of the Non/Human in Martin Rosen's Watership Down (1978) and The Plague Dogs (1982) Anja Höing & Harald Husemann Chapter Nine: The "Nature-Run-Amok" Cinema of the 1970s: Representation of Non/human Animals in Frogs and Orca Fernando Gabriel Pagnoni Berns and César Alfonso Marino Part III Chapter Ten: Cyberbeasts: Substitution and Trivialization of the Non/Human Animal in Home Movies Memes and Video Games Joseph Anderton Chapter Eleven: Pet-Animals in the Concrete Jungle: Tales of Abandonment Failures and Sentimentality in San Hua and Twelve Nights Fiona Yuk-wa Law Chapter Twelve: In Defense of Non/Humans: Mystification and Oppression in the Sports Mascoting Process Guilherme Nothen and Michael Atkinson Chapter Thirteen: On Empathy Anthropocentrism and Rhetorical Tropes: An Analysis of Online "Save the Bees!" Campaign Images Christina Victoria Cedillo
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