Screening Woolf examines the three film adaptations of her novels To the Lighthouse, Orlando, Mrs. Dalloway; her theorizing about film and its impact on her thinking about fiction; and her central role in the David Hare/Stephen Daldry adaptation of Michael Cunningham's Pulitzer Prize-winning novel The Hours.
Screening Woolf examines the three film adaptations of her novels To the Lighthouse, Orlando, Mrs. Dalloway; her theorizing about film and its impact on her thinking about fiction; and her central role in the David Hare/Stephen Daldry adaptation of Michael Cunningham's Pulitzer Prize-winning novel The Hours.
Introduction 1 Virginia Woolf and/on/in Film 2 Filming Woolf's Novels: To the Lighthouse (1983) 3 Orlando: Sally Potter's Success Story 4 Mrs. Dalloway's Early Progeny: Marleen Gorris's film, Mrs. Dalloway (1997) 5 The Web of Text-uality: Michael Cunningham's Novel The Hours (1998), Its Film Adaptation by David Hare/Stephen Daldry (2002), and Robin Lippincott's Mr. Dalloway (1999) Conclusion: Where Have All the Adaptations Gone? Bibliography/Filmography Index About the Author
Introduction 1 Virginia Woolf and/on/in Film 2 Filming Woolf's Novels: To the Lighthouse (1983) 3 Orlando: Sally Potter's Success Story 4 Mrs. Dalloway's Early Progeny: Marleen Gorris's film, Mrs. Dalloway (1997) 5 The Web of Text-uality: Michael Cunningham's Novel The Hours (1998), Its Film Adaptation by David Hare/Stephen Daldry (2002), and Robin Lippincott's Mr. Dalloway (1999) Conclusion: Where Have All the Adaptations Gone? Bibliography/Filmography Index About the Author
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