Screening Youth
Contemporary French and Francophone Cinema
Herausgeber: Viennot, Gilles; Chareyron, Romain
Screening Youth
Contemporary French and Francophone Cinema
Herausgeber: Viennot, Gilles; Chareyron, Romain
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This volume offers new insights into the works of emerging and well-established Francophone directors, who all chose to place youth at the heart of their narrative and aesthetic concerns.
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This volume offers new insights into the works of emerging and well-established Francophone directors, who all chose to place youth at the heart of their narrative and aesthetic concerns.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Edinburgh University Press
- Seitenzahl: 264
- Erscheinungstermin: 28. Februar 2021
- Englisch
- Abmessung: 231mm x 151mm x 15mm
- Gewicht: 420g
- ISBN-13: 9781474449434
- ISBN-10: 1474449433
- Artikelnr.: 59919866
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Edinburgh University Press
- Seitenzahl: 264
- Erscheinungstermin: 28. Februar 2021
- Englisch
- Abmessung: 231mm x 151mm x 15mm
- Gewicht: 420g
- ISBN-13: 9781474449434
- ISBN-10: 1474449433
- Artikelnr.: 59919866
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Romain Chareyron is Assistant Professor of French in the Department of Languages, Literatures and Cultural Studies at the University of Saskatchewan. Before coming to Saskatoon, he held teaching positions at the University of Kansas and Washington State University. Romain's areas of study include: the representation of gender and sexuality in contemporary French cinema; the reworking of the genres of horror and pornography; the connections between auteur cinema and societal issues, such as immigration, racism and poverty. Gilles Viennot is Assistant Professor of French in the Department of World Languages, Literatures & Cultures at the University of Arkansas. His areas of study include: contemporary French literature (with an emphasis on Michel Houellebecq); the connections between neoliberalism, technology and family; as well as cinema and TV shows.
1: Disparate Lives: Representations of Youth in French and Francophone
Cinema, Romain Chareyron and Gilles Viennot; 2: Un vrai 'teen film'
français? The Contemporary Adolescent Genre in French Cinema, Gemma Edney;
3: Youth and Gender Panic in Ma Vie en rose and Tomboy, Jeri English; 4:
Bargaining the Body: Love, Death and Rites of Passage in Three Films by
François Ozon, Ericka Knudson; 5: Repetition and Difference: The
Representation of Youth in the Films of Céline Sciamma, Karine Chevalier;
6: Mia Hansen-Løve, Postfeminism in France, and the Melancholic Girl, Fiona
Handyside; 7: Frames of Desire and Otherness: Queer Adolescents Caught
In-Between France and the Maghreb, Walter S. Temple; 8: 'A Child of the
Ruins': Youthful Disaffection and the 'Making Of' the Terrorist, Maria
Flood; 9: 'Envole-moi': Gender and Representations of the 'banlieue' in Abd
Al Malik's Qu'Allah bénisse la France and Sylvie Ohayon's Papa Was Not a
Rolling Stone, Jocelyn A. Wright; 10: (Re)Framing Youth and Identity in the
Classroom in Être et avoir and Entre les murs, Aubrey Korneta; 11: Young
Love and Everyday Freedom: Abdellatif Kechiche's La Faute à Voltaire and La
Vie d'Adèle, Kathryn Chaffee; 12: Anthem for (Doomed) Youth: War, AIDS, and
the Queer Autobiographical Cinema of André Téchiné, Claire Boyle; 13: 'Je
veux promouvoir le vivre ensemble': Youth and Friendship in L'Auberge
espagnole (2002), Les Poupées russes (2005) and casse-tête chinois (2013)",
Ben McCann; 14: Catherine Breillat's Maiden trilogy, Juliette Feyel; 15:
Dismembering and remembering childhood in Bruno Dumont's P'tit Quinquin
(2014), Elizabeth Geary Keohane
Cinema, Romain Chareyron and Gilles Viennot; 2: Un vrai 'teen film'
français? The Contemporary Adolescent Genre in French Cinema, Gemma Edney;
3: Youth and Gender Panic in Ma Vie en rose and Tomboy, Jeri English; 4:
Bargaining the Body: Love, Death and Rites of Passage in Three Films by
François Ozon, Ericka Knudson; 5: Repetition and Difference: The
Representation of Youth in the Films of Céline Sciamma, Karine Chevalier;
6: Mia Hansen-Løve, Postfeminism in France, and the Melancholic Girl, Fiona
Handyside; 7: Frames of Desire and Otherness: Queer Adolescents Caught
In-Between France and the Maghreb, Walter S. Temple; 8: 'A Child of the
Ruins': Youthful Disaffection and the 'Making Of' the Terrorist, Maria
Flood; 9: 'Envole-moi': Gender and Representations of the 'banlieue' in Abd
Al Malik's Qu'Allah bénisse la France and Sylvie Ohayon's Papa Was Not a
Rolling Stone, Jocelyn A. Wright; 10: (Re)Framing Youth and Identity in the
Classroom in Être et avoir and Entre les murs, Aubrey Korneta; 11: Young
Love and Everyday Freedom: Abdellatif Kechiche's La Faute à Voltaire and La
Vie d'Adèle, Kathryn Chaffee; 12: Anthem for (Doomed) Youth: War, AIDS, and
the Queer Autobiographical Cinema of André Téchiné, Claire Boyle; 13: 'Je
veux promouvoir le vivre ensemble': Youth and Friendship in L'Auberge
espagnole (2002), Les Poupées russes (2005) and casse-tête chinois (2013)",
Ben McCann; 14: Catherine Breillat's Maiden trilogy, Juliette Feyel; 15:
Dismembering and remembering childhood in Bruno Dumont's P'tit Quinquin
(2014), Elizabeth Geary Keohane
1: Disparate Lives: Representations of Youth in French and Francophone
Cinema, Romain Chareyron and Gilles Viennot; 2: Un vrai 'teen film'
français? The Contemporary Adolescent Genre in French Cinema, Gemma Edney;
3: Youth and Gender Panic in Ma Vie en rose and Tomboy, Jeri English; 4:
Bargaining the Body: Love, Death and Rites of Passage in Three Films by
François Ozon, Ericka Knudson; 5: Repetition and Difference: The
Representation of Youth in the Films of Céline Sciamma, Karine Chevalier;
6: Mia Hansen-Løve, Postfeminism in France, and the Melancholic Girl, Fiona
Handyside; 7: Frames of Desire and Otherness: Queer Adolescents Caught
In-Between France and the Maghreb, Walter S. Temple; 8: 'A Child of the
Ruins': Youthful Disaffection and the 'Making Of' the Terrorist, Maria
Flood; 9: 'Envole-moi': Gender and Representations of the 'banlieue' in Abd
Al Malik's Qu'Allah bénisse la France and Sylvie Ohayon's Papa Was Not a
Rolling Stone, Jocelyn A. Wright; 10: (Re)Framing Youth and Identity in the
Classroom in Être et avoir and Entre les murs, Aubrey Korneta; 11: Young
Love and Everyday Freedom: Abdellatif Kechiche's La Faute à Voltaire and La
Vie d'Adèle, Kathryn Chaffee; 12: Anthem for (Doomed) Youth: War, AIDS, and
the Queer Autobiographical Cinema of André Téchiné, Claire Boyle; 13: 'Je
veux promouvoir le vivre ensemble': Youth and Friendship in L'Auberge
espagnole (2002), Les Poupées russes (2005) and casse-tête chinois (2013)",
Ben McCann; 14: Catherine Breillat's Maiden trilogy, Juliette Feyel; 15:
Dismembering and remembering childhood in Bruno Dumont's P'tit Quinquin
(2014), Elizabeth Geary Keohane
Cinema, Romain Chareyron and Gilles Viennot; 2: Un vrai 'teen film'
français? The Contemporary Adolescent Genre in French Cinema, Gemma Edney;
3: Youth and Gender Panic in Ma Vie en rose and Tomboy, Jeri English; 4:
Bargaining the Body: Love, Death and Rites of Passage in Three Films by
François Ozon, Ericka Knudson; 5: Repetition and Difference: The
Representation of Youth in the Films of Céline Sciamma, Karine Chevalier;
6: Mia Hansen-Løve, Postfeminism in France, and the Melancholic Girl, Fiona
Handyside; 7: Frames of Desire and Otherness: Queer Adolescents Caught
In-Between France and the Maghreb, Walter S. Temple; 8: 'A Child of the
Ruins': Youthful Disaffection and the 'Making Of' the Terrorist, Maria
Flood; 9: 'Envole-moi': Gender and Representations of the 'banlieue' in Abd
Al Malik's Qu'Allah bénisse la France and Sylvie Ohayon's Papa Was Not a
Rolling Stone, Jocelyn A. Wright; 10: (Re)Framing Youth and Identity in the
Classroom in Être et avoir and Entre les murs, Aubrey Korneta; 11: Young
Love and Everyday Freedom: Abdellatif Kechiche's La Faute à Voltaire and La
Vie d'Adèle, Kathryn Chaffee; 12: Anthem for (Doomed) Youth: War, AIDS, and
the Queer Autobiographical Cinema of André Téchiné, Claire Boyle; 13: 'Je
veux promouvoir le vivre ensemble': Youth and Friendship in L'Auberge
espagnole (2002), Les Poupées russes (2005) and casse-tête chinois (2013)",
Ben McCann; 14: Catherine Breillat's Maiden trilogy, Juliette Feyel; 15:
Dismembering and remembering childhood in Bruno Dumont's P'tit Quinquin
(2014), Elizabeth Geary Keohane