A celebration of the rich twentieth and twenty-first-century tradition of screenprinting as a means of artistic expression, from its commercial origins in 1920s America to the limited-edition screenprints of the postwar period and today.
A celebration of the rich twentieth and twenty-first-century tradition of screenprinting as a means of artistic expression, from its commercial origins in 1920s America to the limited-edition screenprints of the postwar period and today.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Gill Saunders is Honorary Senior Research Fellow in the Art, Architecture, Photography and Design Department at the Victoria and Albert Museum, London. She is the author of Edward Bawden's England (T&H/V&A, 2023) and co-author, with Margaret Timmers, of The Poster: A Visual History (T&H/V&A, 2020).
Inhaltsangabe
Introduction 1. Origins: Stencils and Pochoir 2. Evolving a New Creative Medium: The Early Years 3. The First Masterpieces: Pop Art in Print 4. A Painter's Vehicle: Screenprint's Versatility 5. The Ideal Medium: Op Art and Perceptions of Colour 6. A Successful Pairing: Photography and the Screenprint 7. From the Studio to the Street: Politics and Protest 8. Shaping Spaces: Screenprints and Installation Art 9. Looking Back / Looking Forward: Screenprints Since the 1990s
Introduction 1. Origins: Stencils and Pochoir 2. Evolving a New Creative Medium: The Early Years 3. The First Masterpieces: Pop Art in Print 4. A Painter's Vehicle: Screenprint's Versatility 5. The Ideal Medium: Op Art and Perceptions of Colour 6. A Successful Pairing: Photography and the Screenprint 7. From the Studio to the Street: Politics and Protest 8. Shaping Spaces: Screenprints and Installation Art 9. Looking Back / Looking Forward: Screenprints Since the 1990s
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