Screenwriting for Profit uniquely illustrates how global trends define the screenplay marketplace, from dictating saleable trends to determining subject matter, genre, and story elements that will succeed in key international territories.
Screenwriting for Profit uniquely illustrates how global trends define the screenplay marketplace, from dictating saleable trends to determining subject matter, genre, and story elements that will succeed in key international territories.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Andrew Stevens, author of Producing for Profit (Focal 2017), and the DVD/download film school series Foolproof Film School, has mastered almost every aspect of the entertainment business. From creative filmmaker, screenwriter, director, and producer, to corporate executive, leader in trade and union negotiations and collective bargaining, Stevens has guided the creative development and physical production of over 175 motion pictures, including the hit comedy The Whole Nine Yards and the cult classic Boondock Saints, and his films have generated over $1 billion in worldwide revenues. In his several successful motion picture companies, he has guided international film sales, domestic distribution, finance, publicity, and marketing. A former award-winning and Golden Globe-nominated actor, he continues to be active in the motion picture business as well as being an author, educator, motivational speaker, and industry consultant. He served for a decade on the board of directors of the International Film and Television Alliance (IFTA) and also served as chairman of the Independent Producers Association (IPA).
Inhaltsangabe
Foreword Prologue Chapter 1: Critical Criteria Before Determining Your Subject Matter Chapter 2: The Independent Film and Television Alliance and the American Film Market: Services and Opportunities that Benefit Screenwriters Chapter 3: The Cannes Film Market and Festival Chapter 4: Writing for the Marketplace Chapter 5: Building a Career - Everyone Starts Somewhere Chapter 6: Historical Context of the Recent Evolution of Media Gives Writers Perspective Chapter 7: Screenplay Structure and Components Chapter 8: Inspiration, Sequels, Remakes and Re-boots Chapter 9: Character Development from Actor's Perspective Chapter 10: Screenwriters Perspective Chapter 11: A Director's Perspective Chapter 12: A Producer's Perspective Chapter 13: Writing for Cost Effective Budgets Chapter 14: Financing Chapter 15: Writing is a Team Sport Chapter 16: Studio Due Diligence: How the Big Boys Cater to the Little Boys Chapter 17: New Media - New Model - As Significant as the Majors Chapter 18: Non-Union vs Union Writers Chapter 19: Writers Protections Chapter 20: Non-Disclosure, Non-Circumvention and Confidentiality Agreements Chapter 21: Screenplay Submissions Chapter 22: The Pitch
Foreword Prologue Chapter 1: Critical Criteria Before Determining Your Subject Matter Chapter 2: The Independent Film and Television Alliance and the American Film Market: Services and Opportunities that Benefit Screenwriters Chapter 3: The Cannes Film Market and Festival Chapter 4: Writing for the Marketplace Chapter 5: Building a Career - Everyone Starts Somewhere Chapter 6: Historical Context of the Recent Evolution of Media Gives Writers Perspective Chapter 7: Screenplay Structure and Components Chapter 8: Inspiration, Sequels, Remakes and Re-boots Chapter 9: Character Development from Actor's Perspective Chapter 10: Screenwriters Perspective Chapter 11: A Director's Perspective Chapter 12: A Producer's Perspective Chapter 13: Writing for Cost Effective Budgets Chapter 14: Financing Chapter 15: Writing is a Team Sport Chapter 16: Studio Due Diligence: How the Big Boys Cater to the Little Boys Chapter 17: New Media - New Model - As Significant as the Majors Chapter 18: Non-Union vs Union Writers Chapter 19: Writers Protections Chapter 20: Non-Disclosure, Non-Circumvention and Confidentiality Agreements Chapter 21: Screenplay Submissions Chapter 22: The Pitch
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