While most screenwriting books focus on format and structure, Kate Wright explains how to put story at the center of a screenplay. A compelling story, complete with intriguing characters and situations created with these screenwriting tricks of the trade can become a box office blockbuster film. Screenwriters will learn: - Developing themes within the plot - Using structure to define the story - Creating memorable characters - Establishing moral dilemmas and conflicts - Achieving classic elements of storytelling in a three-act dramatic structure - Mastering different genres
While most screenwriting books focus on format and structure, Kate Wright explains how to put story at the center of a screenplay. A compelling story, complete with intriguing characters and situations created with these screenwriting tricks of the trade can become a box office blockbuster film. Screenwriters will learn: - Developing themes within the plot - Using structure to define the story - Creating memorable characters - Establishing moral dilemmas and conflicts - Achieving classic elements of storytelling in a three-act dramatic structure - Mastering different genresHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Screenwriting is StorytellingForeword by Arthur Hiller Introduction: "Screenwriters must become storytellers." Part One Screenthinking: "What is my story about?" Chapter 1: Screenwriting is Storytelling Chapter 2: Movies are Entertainment Chapter 3: The Big Idea Chapter 4: The Four "Story" Questions Chapter 5: Form: 3-Act Paradigms Chapter 6: Spine: The Process Chapter 7: Integrating Form and Spine Chapter 8: Critical Thinking and Creative Tools Part Two Screenplanning: "How does my story make the audience feel?" Chapter 9: Genre Chapter 10: Plot vs. Story Chapter 11: Creating the Main Character Chapter 12: Creating the Antagonist Chapter 13: Supporting Characters Who Tell the Story Chapter 14: Creating Dramatic Conflict Chapter 15: Moral Dilemma and the Moral of the Story Chapter 16: Following the Emotional Story Part Three Screenwriting: "This is what my story is about." Chapter 17: The One-Page Summary Chapter 18: The Step Outline Chapter 19: Creating the Scene Chapter 20: Originality Chapter 21: Where Good Scripts Go Wrong Part Four Rewriting and Script Doctoring: "What is my story really about?" Chapter 22: Writing Is Rewriting Part Five Breaking In and Staying There Chapter 23: Breaking In Chapter 24: Second Careers and Reinventing Yourself Postscript: "Becoming a Storyteller" Appendices A. Entertainment Industry Organizations B. Screenwriting Competitions C. Popular Internet Websites for Screenwriters D. "Standout U.S. Format" and Elements of Screenwriting Bibliography Index About the Author
Screenwriting is StorytellingForeword by Arthur Hiller Introduction: "Screenwriters must become storytellers." Part One Screenthinking: "What is my story about?" Chapter 1: Screenwriting is Storytelling Chapter 2: Movies are Entertainment Chapter 3: The Big Idea Chapter 4: The Four "Story" Questions Chapter 5: Form: 3-Act Paradigms Chapter 6: Spine: The Process Chapter 7: Integrating Form and Spine Chapter 8: Critical Thinking and Creative Tools Part Two Screenplanning: "How does my story make the audience feel?" Chapter 9: Genre Chapter 10: Plot vs. Story Chapter 11: Creating the Main Character Chapter 12: Creating the Antagonist Chapter 13: Supporting Characters Who Tell the Story Chapter 14: Creating Dramatic Conflict Chapter 15: Moral Dilemma and the Moral of the Story Chapter 16: Following the Emotional Story Part Three Screenwriting: "This is what my story is about." Chapter 17: The One-Page Summary Chapter 18: The Step Outline Chapter 19: Creating the Scene Chapter 20: Originality Chapter 21: Where Good Scripts Go Wrong Part Four Rewriting and Script Doctoring: "What is my story really about?" Chapter 22: Writing Is Rewriting Part Five Breaking In and Staying There Chapter 23: Breaking In Chapter 24: Second Careers and Reinventing Yourself Postscript: "Becoming a Storyteller" Appendices A. Entertainment Industry Organizations B. Screenwriting Competitions C. Popular Internet Websites for Screenwriters D. "Standout U.S. Format" and Elements of Screenwriting Bibliography Index About the Author
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