Sculptural Materiality in the Age of Conceptualism is structured around four distinct but interrelated projects initially realized in Italy between 1966 and 1972: Yayoi Kusama's Narcissus Garden, Michelangelo Pistoletto's Newspaper Sphere (Sfera di giornali), Robert Smithson's Asphalt Rundown, and Joseph Beuys's Arena. Here, they anchor a transnational narrative in which sculpture emerged, as a node, a center of transaction comprised of multiple material phenomena, including objects, images, and actors.
Sculptural Materiality in the Age of Conceptualism is structured around four distinct but interrelated projects initially realized in Italy between 1966 and 1972: Yayoi Kusama's Narcissus Garden, Michelangelo Pistoletto's Newspaper Sphere (Sfera di giornali), Robert Smithson's Asphalt Rundown, and Joseph Beuys's Arena. Here, they anchor a transnational narrative in which sculpture emerged, as a node, a center of transaction comprised of multiple material phenomena, including objects, images, and actors.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Marin R. Sullivan is Assistant Professor of Art History, Department of Art, Keene State College, USA.
Inhaltsangabe
Introduction: Meshworks and Networks Sculptural Materiality Action and Circulation in Postwar Italy 1. Reflective Acts: Yayoi Kusama in Venice "Sideshow" Sculpture and the XXXIII Venice Biennale Photographic Mirrors Self, Sculpture, and Photograph Remnants and Residuum 2. With Time Action: Michelangelo Pistoletto in Turin Mirror Images and Minus Objects Con temp l'azione The City as Material From the Street to the Cage 3. Slow Dissolves: Robert Smithson in Rome Exhibiting Process The Flow of Sculpture Photography is Action The Age of Conceptualism 4. The Sculptural Arena: Joseph Beuys in Naples The Mediterranean Situation Transmitters Between Image and Object Sculpture as Multiple Conclusion: Material Dispersions Recreations and Replicas Inert Monuments and Enlivened Objects
Introduction: Meshworks and Networks Sculptural Materiality Action and Circulation in Postwar Italy 1. Reflective Acts: Yayoi Kusama in Venice "Sideshow" Sculpture and the XXXIII Venice Biennale Photographic Mirrors Self, Sculpture, and Photograph Remnants and Residuum 2. With Time Action: Michelangelo Pistoletto in Turin Mirror Images and Minus Objects Con temp l'azione The City as Material From the Street to the Cage 3. Slow Dissolves: Robert Smithson in Rome Exhibiting Process The Flow of Sculpture Photography is Action The Age of Conceptualism 4. The Sculptural Arena: Joseph Beuys in Naples The Mediterranean Situation Transmitters Between Image and Object Sculpture as Multiple Conclusion: Material Dispersions Recreations and Replicas Inert Monuments and Enlivened Objects
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