Sculptural Materiality in the Age of Conceptualism is structured around four distinct but interrelated projects initially realized in Italy between 1966 and 1972: Yayoi Kusama's Narcissus Garden, Michelangelo Pistoletto's Newspaper Sphere (Sfera di giornali), Robert Smithson's Asphalt Rundown, and Joseph Beuys's Arena. Here, they anchor a
Sculptural Materiality in the Age of Conceptualism is structured around four distinct but interrelated projects initially realized in Italy between 1966 and 1972: Yayoi Kusama's Narcissus Garden, Michelangelo Pistoletto's Newspaper Sphere (Sfera di giornali), Robert Smithson's Asphalt Rundown, and Joseph Beuys's Arena. Here, they anchor a
Marin R. Sullivan is Assistant Professor of Art History, Department of Art, Keene State College, USA.
Inhaltsangabe
Introduction: Meshworks and Networks Sculptural Materiality Action and Circulation in Postwar Italy 1. Reflective Acts: Yayoi Kusama in Venice "Sideshow" Sculpture and the XXXIII Venice Biennale Photographic Mirrors Self, Sculpture, and Photograph Remnants and Residuum 2. With Time Action: Michelangelo Pistoletto in Turin Mirror Images and Minus Objects Con temp l'azione The City as Material From the Street to the Cage 3. Slow Dissolves: Robert Smithson in Rome Exhibiting Process The Flow of Sculpture Photography is Action The Age of Conceptualism 4. The Sculptural Arena: Joseph Beuys in Naples The Mediterranean Situation Transmitters Between Image and Object Sculpture as Multiple Conclusion: Material Dispersions Recreations and Replicas Inert Monuments and Enlivened Objects
Introduction: Meshworks and Networks Sculptural Materiality Action and Circulation in Postwar Italy 1. Reflective Acts: Yayoi Kusama in Venice "Sideshow" Sculpture and the XXXIII Venice Biennale Photographic Mirrors Self, Sculpture, and Photograph Remnants and Residuum 2. With Time Action: Michelangelo Pistoletto in Turin Mirror Images and Minus Objects Con temp l'azione The City as Material From the Street to the Cage 3. Slow Dissolves: Robert Smithson in Rome Exhibiting Process The Flow of Sculpture Photography is Action The Age of Conceptualism 4. The Sculptural Arena: Joseph Beuys in Naples The Mediterranean Situation Transmitters Between Image and Object Sculpture as Multiple Conclusion: Material Dispersions Recreations and Replicas Inert Monuments and Enlivened Objects
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