By foregrounding the overlaps between sculpture and the decorative, this volume of essays offers a model for a more integrated form of art history writing. Through distinct case studies, from a seventeenth-century Danish altarpiece to contemporary British ceramics, it brings to centre stage makers, objects, concepts and spaces that have been marginalized by the enforcement of boundaries within art and design discourse. These essays challenge the classed, raced and gendered categories that have structured the histories and languages of art and its making. Sculpture and the Decorative in Britain…mehr
By foregrounding the overlaps between sculpture and the decorative, this volume of essays offers a model for a more integrated form of art history writing. Through distinct case studies, from a seventeenth-century Danish altarpiece to contemporary British ceramics, it brings to centre stage makers, objects, concepts and spaces that have been marginalized by the enforcement of boundaries within art and design discourse. These essays challenge the classed, raced and gendered categories that have structured the histories and languages of art and its making. Sculpture and the Decorative in Britain and Europe is essential reading for anyone interested in the history and practice of sculpture and the decorative arts and the methodologies of art history.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Imogen Hart is Adjunct Assistant Professor of History of Art, University of California, Berkeley, USA. Claire Jones is Lecturer in History of Art, University of Birmingham, UK.
Inhaltsangabe
List of Figures List of Contributors Acknowledgements 1. Sculpture and the decorative: towards a more integrated mode of art history writing Imogen Hart (University of California-Berkeley USA) and Claire Jones (University of Birmingham UK) 2. "Exulting and adorning it in exuberant strains": Music figuration and ornamentation in Abel Schrøder's altarpiece (Skt Morten in Næstved Denmark) Margit Thøfner (Independent Scholar) 3. Galathea: Ships sculpture and the state in Golden Age Denmark Michael Hatt (University of Warwick UK) 4. An allegory of civic virtue: Sculpture and ornament in St George's Hall Liverpool Katie Faulkner (Courtauld Institute of Art UK) 5. Sculpture and the decorative in fin-de-siècle Brussels: Women as creators and consumers Marjan Sterckx (Ghent University Belgium) 6. "Sacred stones guarded about with dragons": Welsh national identity in William Goscombe John's Corn Hirlas (1898) Melanie Polledri (Amgueddfa Cymru - National Museum Wales) 7. Sculpture and the decorative at the Scottish National War Memorial Imogen Hart (University of California-Berkeley USA) 8. Ornament and monument in German sculpture 1910-1930: Milly Steger and Renée Sintenis Nina Lübbren (Anglia Ruskin University UK) 9. Modernist sculpture and the decorative: Henri Laurens with Robert Mallet-Stevens and Le Corbusier Anna Ferrari (Royal Academy London UK) 10. The decorative arts as found object: Converging domains for contemporary sculpture Lisa Wainwright (School of the Art Institute of Chicago USA) 11. Gross domestic product: Contemporary British ceramics and the subversion of the monument Laura Gray (Independent Art Historian) 12. Fabrication and failure: Hacking the decorative in contemporary British art Bridget O'Gorman (Artist and Researcher) Index
List of Figures List of Contributors Acknowledgements 1. Sculpture and the decorative: towards a more integrated mode of art history writing Imogen Hart (University of California-Berkeley USA) and Claire Jones (University of Birmingham UK) 2. "Exulting and adorning it in exuberant strains": Music figuration and ornamentation in Abel Schrøder's altarpiece (Skt Morten in Næstved Denmark) Margit Thøfner (Independent Scholar) 3. Galathea: Ships sculpture and the state in Golden Age Denmark Michael Hatt (University of Warwick UK) 4. An allegory of civic virtue: Sculpture and ornament in St George's Hall Liverpool Katie Faulkner (Courtauld Institute of Art UK) 5. Sculpture and the decorative in fin-de-siècle Brussels: Women as creators and consumers Marjan Sterckx (Ghent University Belgium) 6. "Sacred stones guarded about with dragons": Welsh national identity in William Goscombe John's Corn Hirlas (1898) Melanie Polledri (Amgueddfa Cymru - National Museum Wales) 7. Sculpture and the decorative at the Scottish National War Memorial Imogen Hart (University of California-Berkeley USA) 8. Ornament and monument in German sculpture 1910-1930: Milly Steger and Renée Sintenis Nina Lübbren (Anglia Ruskin University UK) 9. Modernist sculpture and the decorative: Henri Laurens with Robert Mallet-Stevens and Le Corbusier Anna Ferrari (Royal Academy London UK) 10. The decorative arts as found object: Converging domains for contemporary sculpture Lisa Wainwright (School of the Art Institute of Chicago USA) 11. Gross domestic product: Contemporary British ceramics and the subversion of the monument Laura Gray (Independent Art Historian) 12. Fabrication and failure: Hacking the decorative in contemporary British art Bridget O'Gorman (Artist and Researcher) Index
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