Vitrines and glass cabinets are familiar apparatuses that have in large part defined modern modes of display and visibility, both within and beyond the museum. The twelve contributions to this volume examine some of the points of origin of the vitrine and the various relations it brokers with sculpture, first in the Wunderkammer and cabinet of curiosities and then in dialog with the development of glazed architecture beginning with Paxton's Crystal Palace (1851). The collection offers close discussions of the role of the vitrine and shop window in the rise of commodity culture and raises key…mehr
Vitrines and glass cabinets are familiar apparatuses that have in large part defined modern modes of display and visibility, both within and beyond the museum. The twelve contributions to this volume examine some of the points of origin of the vitrine and the various relations it brokers with sculpture, first in the Wunderkammer and cabinet of curiosities and then in dialog with the development of glazed architecture beginning with Paxton's Crystal Palace (1851). The collection offers close discussions of the role of the vitrine and shop window in the rise of commodity culture and raises key questions about the nature and implications of vitrinous space.
John C. Welchman is Professor of Art History, Theory and Criticism in the Visual Arts Department at the University of California, San Diego, USA.
Inhaltsangabe
Contents: Subject/object: new studies in sculpture Lisa Le Feuvre; Introduction John C. Welchman; Art and commodity: sculpture under glass at the Crystal Palace Kate Nichols; Through the vitrine: Damien Hirst's For the Love of God Tag Gronberg; Magic windows: Frederick Kiesler's displays for Saks Fifth Avenue New York in 1928 Barnaby Haran; Between Wunderkammer and shop window: surrealist naturalia cabinets Marion Endt-Jones; Sculpture in Fog: Beuys's vitrines Claudia Mesch; Framed devices: Paul Thek's Technological Reliquaries Susanne Neubauer; Unattributed objects: the Mouse Museum the Ray Gun Wing and four artists Genevieve Waller; Fluxus soapbox Cornelia Lauf; 20th-century display case archive Daniel Edwards; Cults of transparency: the curtain wall and the shop window in the work of Dan Graham and Josephine Meckseper Sarah Lookofsky; The transparent signifier: Hirst invisibility and critique Elyse Speaks; Between inside and out Blake Stimson; Index.
Contents: Subject/object: new studies in sculpture Lisa Le Feuvre; Introduction John C. Welchman; Art and commodity: sculpture under glass at the Crystal Palace Kate Nichols; Through the vitrine: Damien Hirst's For the Love of God Tag Gronberg; Magic windows: Frederick Kiesler's displays for Saks Fifth Avenue New York in 1928 Barnaby Haran; Between Wunderkammer and shop window: surrealist naturalia cabinets Marion Endt-Jones; Sculpture in Fog: Beuys's vitrines Claudia Mesch; Framed devices: Paul Thek's Technological Reliquaries Susanne Neubauer; Unattributed objects: the Mouse Museum the Ray Gun Wing and four artists Genevieve Waller; Fluxus soapbox Cornelia Lauf; 20th-century display case archive Daniel Edwards; Cults of transparency: the curtain wall and the shop window in the work of Dan Graham and Josephine Meckseper Sarah Lookofsky; The transparent signifier: Hirst invisibility and critique Elyse Speaks; Between inside and out Blake Stimson; Index.
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