This book introduces a new impetus to the discussion of the relationship between touch and sculpture by setting up a dialogue between art historians and individuals who are working in disciplines beyond art history. The collection brings together a diverse set of approaches, with essays tackling subjects from prehistoric figurines to the work of contemporary artists, from pre-modern ideas about the physiology of touch to tactile interaction in the museum, and from the phenomenology of touch in philosophy to the findings of scientific study.
This book introduces a new impetus to the discussion of the relationship between touch and sculpture by setting up a dialogue between art historians and individuals who are working in disciplines beyond art history. The collection brings together a diverse set of approaches, with essays tackling subjects from prehistoric figurines to the work of contemporary artists, from pre-modern ideas about the physiology of touch to tactile interaction in the museum, and from the phenomenology of touch in philosophy to the findings of scientific study.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Peter Dent is lecturer in History of Art at the University of Bristol, UK.
Inhaltsangabe
Contents: Introduction Peter Dent. Part I Origins: Touch and the cheirotic apprehension of prehistoric figurines Doug Bailey; Touching sculpture Hagi Kenaan; Bringing into being: vivifying sculpture through touch Michael Paraskos; Pictorial essay A: out of sight Claude Heath. Part II Approaches: To touch: Herder and sculpture Andrew Benjamin; A taxonomy of touch: tactile encounters in Renaissance Italy Geraldine A. Johnson; The neglected power of touch: what the cognitive neurosciences can tell us about the importance of touch in artistic communication Alberto Gallace and Charles Spence; When touch shatters meaning: the case of sculptures made for sight only Francesca Bacci; Pictorial essay B: playing with fire Rosalyn Driscoll. Part III Identities: Beyond the touch tour Julia Cassim; The sculptor is a blind man: Constantin Brancusi's Sculpture for the Blind Sebastiano Barassi; Embracing stone holding brushes: differentiating touch in the Unit One photographs Fiona Candlin; Lorenzo Ghiberti and Michelangelo in search of the feeling hand James Hall; Pictorial essay C: the touch of the oracle Michael Petry. Select bibliography; Index.
Contents: Introduction Peter Dent. Part I Origins: Touch and the cheirotic apprehension of prehistoric figurines Doug Bailey; Touching sculpture Hagi Kenaan; Bringing into being: vivifying sculpture through touch Michael Paraskos; Pictorial essay A: out of sight Claude Heath. Part II Approaches: To touch: Herder and sculpture Andrew Benjamin; A taxonomy of touch: tactile encounters in Renaissance Italy Geraldine A. Johnson; The neglected power of touch: what the cognitive neurosciences can tell us about the importance of touch in artistic communication Alberto Gallace and Charles Spence; When touch shatters meaning: the case of sculptures made for sight only Francesca Bacci; Pictorial essay B: playing with fire Rosalyn Driscoll. Part III Identities: Beyond the touch tour Julia Cassim; The sculptor is a blind man: Constantin Brancusi's Sculpture for the Blind Sebastiano Barassi; Embracing stone holding brushes: differentiating touch in the Unit One photographs Fiona Candlin; Lorenzo Ghiberti and Michelangelo in search of the feeling hand James Hall; Pictorial essay C: the touch of the oracle Michael Petry. Select bibliography; Index.
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