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In the dynamic of changes that sculpture has undergone, from academicist circumstances towards forms of greater compositional autonomy, multiple variants have emerged in sculpture. What at the dawn of the sculptural tradition could have been something eccentric to be seen as an appropriate or valid technical development to be elaborated. At present there is a vastness of forms and moldings that burst to position itself as an alternative art, through the use of different combinations of materials and media that enable greater breadth in a new artistic repertoire. The research proposal is…mehr

Produktbeschreibung
In the dynamic of changes that sculpture has undergone, from academicist circumstances towards forms of greater compositional autonomy, multiple variants have emerged in sculpture. What at the dawn of the sculptural tradition could have been something eccentric to be seen as an appropriate or valid technical development to be elaborated. At present there is a vastness of forms and moldings that burst to position itself as an alternative art, through the use of different combinations of materials and media that enable greater breadth in a new artistic repertoire. The research proposal is oriented from the sense of reuse of waste elements for sculptural production. In this sense, the use of waste materials for sculptural production is presented as a dissonance to the fine arts and their secular traditions.So these compositions are erected to incorporate a different task, outside the classical symbolic circuit.
Autorenporträt
Magíster en Literatura Latinoamericana , Ensayista e Investigador cultural.Publicaciones Ensayos Diatriba del desaparecido o la crítica al sentido humano. Para una lectura Nietzcheana del cuerpo deshabitado de Rafael Alberti, Infortunios de Alonso Ramírez: De la lírica a la épica. Convergencias narrativas de un discurso híbrido.