Sculpture in the Age of Donatello: Renaissance Masterpieces from Florence Cathedral
Herausgeber: Verdon, Timothy; Zolli, Daniel M.
Sculpture in the Age of Donatello: Renaissance Masterpieces from Florence Cathedral
Herausgeber: Verdon, Timothy; Zolli, Daniel M.
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A major survey on both the art and decoration of Sta. Maria del Fiore in Florence, and early Renaissance art.
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A major survey on both the art and decoration of Sta. Maria del Fiore in Florence, and early Renaissance art.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Giles
- Seitenzahl: 200
- Erscheinungstermin: 17. März 2015
- Englisch
- Abmessung: 312mm x 261mm x 25mm
- Gewicht: 1649g
- ISBN-13: 9781907804564
- ISBN-10: 1907804560
- Artikelnr.: 40701104
- Verlag: Giles
- Seitenzahl: 200
- Erscheinungstermin: 17. März 2015
- Englisch
- Abmessung: 312mm x 261mm x 25mm
- Gewicht: 1649g
- ISBN-13: 9781907804564
- ISBN-10: 1907804560
- Artikelnr.: 40701104
Timothy Verdon is Director of the Museo dell'Opera del Duomo and Professor of Art History at the Stanford University Florence Center. He is Canon of Florence Cathedral and Director of the Office for Church Heritage of the Archdiocese of Florence. His publications include Francesco d'Assis negli Affreschi di Giotto, and the three-volume La cattedrale e la città: saggi sul Duomo di Firenze. Atti del VII centenario del Duomo di Firenze, for which he was co-editor. Daniel M. Zolli is a doctoral candidate in Harvard's History of Art and Architecture Department, where he is completing a dissertation on Donatello's workshops. Amy R. Bloch is Assistant Professor of Art History at the University at Albany, State University of New York (SUNY). She has published essays on Ghiberti, Donatello, and the decoration of the Florence baptistery, and her book on Ghiberti's Gates of Paradise is forthcoming with Cambridge University Press. Marco Ciatti is Superintendent of the Opificio delle Pietre Dure, an institution of the Italian Ministry of Culture and world leader in the field of art restoration. He is also director of the Opificio's Conservation Laboratory for Easel Paintings and Textiles and teaches history and theory of conservation. Stefano Nicastri is an architect and art historian who has collaborated for many years with the Italian Ministry of Culture's Istituto Centrale per il Catalogo e la Documentazione in the areas of Renaissance and Baroque art and architecture.
Sponsor Statement
Foreword by Richard P. Townsend, Director, Museum of Biblical Art, New York
Foreword by Franco Lucchesi, President, Opera di Santa Maria del Fiore
Florence Cathedral: Renaissance Sculpture, Sacred Scripture by Timothy
Verdon
"...with immense diligence and discipline": Lorenzo Ghiberti's North Doors
and the Opificio delle Pietre Dure's Conservation and Restoration Project
by Marco Ciatti
Lorenzo Ghiberti, From the Early Workshop to the Gates of Paradise by Amy
Bloch
Donatello's Visions: The Sculptor at Florence Cathedral by Daniel Zolli
The Catalogue
The New Museo dell'Opera del Duomo by Timothy Verdon
Bibliography
Board Members and Staff
Acknowledgments
Index
Foreword by Richard P. Townsend, Director, Museum of Biblical Art, New York
Foreword by Franco Lucchesi, President, Opera di Santa Maria del Fiore
Florence Cathedral: Renaissance Sculpture, Sacred Scripture by Timothy
Verdon
"...with immense diligence and discipline": Lorenzo Ghiberti's North Doors
and the Opificio delle Pietre Dure's Conservation and Restoration Project
by Marco Ciatti
Lorenzo Ghiberti, From the Early Workshop to the Gates of Paradise by Amy
Bloch
Donatello's Visions: The Sculptor at Florence Cathedral by Daniel Zolli
The Catalogue
The New Museo dell'Opera del Duomo by Timothy Verdon
Bibliography
Board Members and Staff
Acknowledgments
Index
Sponsor Statement
Foreword by Richard P. Townsend, Director, Museum of Biblical Art, New York
Foreword by Franco Lucchesi, President, Opera di Santa Maria del Fiore
Florence Cathedral: Renaissance Sculpture, Sacred Scripture by Timothy
Verdon
"...with immense diligence and discipline": Lorenzo Ghiberti's North Doors
and the Opificio delle Pietre Dure's Conservation and Restoration Project
by Marco Ciatti
Lorenzo Ghiberti, From the Early Workshop to the Gates of Paradise by Amy
Bloch
Donatello's Visions: The Sculptor at Florence Cathedral by Daniel Zolli
The Catalogue
The New Museo dell'Opera del Duomo by Timothy Verdon
Bibliography
Board Members and Staff
Acknowledgments
Index
Foreword by Richard P. Townsend, Director, Museum of Biblical Art, New York
Foreword by Franco Lucchesi, President, Opera di Santa Maria del Fiore
Florence Cathedral: Renaissance Sculpture, Sacred Scripture by Timothy
Verdon
"...with immense diligence and discipline": Lorenzo Ghiberti's North Doors
and the Opificio delle Pietre Dure's Conservation and Restoration Project
by Marco Ciatti
Lorenzo Ghiberti, From the Early Workshop to the Gates of Paradise by Amy
Bloch
Donatello's Visions: The Sculptor at Florence Cathedral by Daniel Zolli
The Catalogue
The New Museo dell'Opera del Duomo by Timothy Verdon
Bibliography
Board Members and Staff
Acknowledgments
Index