How did scientists, artists, designers, manufacturers and amateur enthusiasts experience and value the sea and its products? Examining the commoditization of the ocean world during the nineteenth century, this book demonstrates how the transaction of oceanic objects inspired a multifaceted material discourse stemming from scientific exploration, colonial expansion, industrialization, and the rise of middle-class leisure. From the seashore to the seabed, marine organisms and environments, made tangible through processing and representational technologies, captivated practitioners and audiences.…mehr
How did scientists, artists, designers, manufacturers and amateur enthusiasts experience and value the sea and its products? Examining the commoditization of the ocean world during the nineteenth century, this book demonstrates how the transaction of oceanic objects inspired a multifaceted material discourse stemming from scientific exploration, colonial expansion, industrialization, and the rise of middle-class leisure. From the seashore to the seabed, marine organisms and environments, made tangible through processing and representational technologies, captivated practitioners and audiences. Combining essays and case studies by scholars, curators, and scientists, Sea Currents investigates the collecting and display, illustration and ornamentation, and trade and consumption of marine flora and fauna, analysing their material, aesthetic and commercial dimensions. Traversing global art history, the history of science, empire studies, anthropology, ecocriticism and material culture, this book surveys the currency of marine matter embedded in the economies and ecologies of a modernizing ocean world.
Kathleen Davidson is a Postdoctoral Research Fellow in the Department of Art History at the University of Sydney, Australia. Molly Duggins is a lecturer in the Department of Art History and Theory at the National Art School, Sydney, Australia.
Inhaltsangabe
List of Illustrations List of Contributors Acknowledgements 1. Commodifying the Ocean World in the Long Nineteenth Century Kathleen Davidson and Molly Duggins (The University of Sydney Australia; National Art School Sydney Australia) Part One: Wave - Circulating Marine Products 2. Ambergris in Eighteenth- and Nineteenth-Century Medicine Perfume and Natural History Georgina Cole (National Art School Sydney Australia) 3. Imperial Coral: The Transformation of a Natural Material to a Qing Imperial Treasure Pippa Lacey (National Maritime Museum Greenwich UK) 4. Echoes of Empire: The Painted Museums of Leroy de Barde Jessica Priebe (the National Art School Sydney Australia) 5. 'Native Manufactures': Sailors' Valentines and the Caribbean Curio Trade Molly Duggins (the National Art School Sydney Australia) Part Two: Shore - Coastal Economies and Ecologies 6. Reading the Wrack Line on the French Atlantic Shore Maura Coughlin (Bryant University in Smithfield Rhode Island USA) 7. An Intense Curiosity: Marine Research Stations and Marine Specimens in the Late Nineteenth Century Jude Philp (Macleay Museum The University of Sydney Australia) 8. The Tears of Pearls: Archaic Labour Fisheries and Waste in Ceylon and Beyond Natasha Eaton (UCL UK) 9. Culture Keeping and Money Making: Aboriginal Women's Shellwork from the South Coast of New South Wales Priya Vaughan (the National Art School Sydney Australia) Part Three: Seabed - Materializing Submarine Environments 10. Their 'Colours are Brilliant but Fugitive': Coral Concerns from Imperial Expeditions and the British Museum to the Royal Academy and Drury Lane Kathleen Davidson (The University of Sydney Australia) 11. Aquariums Under the Rising Sun: A Cultural History of Early Public Aquariums in Japan 1882-1903 Yuichi Mizoi (Kansai University Japan) 12. Merging the University Museum and Volksbildung: The Curatorial Strategies of Berlin's Museum für Meereskunde in 1900 Stefanie Lenk (The University of Göttingen Germany) Part Four: Oceanic Objects - Museum Case Studies 13. 'An Imitation of Seaweed': Nature and Design in a Late Eighteenth-Century Printed Cotton Ann Christie (Independent Researcher) 14. Fashioning Whale Bone: Scrimshaw and the Nineteenth-Century Tradition of the Decorative Busk Martha Cattell (Curator and Independent Researcher) 15. The Ornamental Glass Window of the Maison des Océans in Paris: A Celebration of Evolution Jacqueline Goy (The Oceanographic Institute Monaco) and Robert Calcagno (Government Advisor Ministry of the Equipment Environment and Urban Planning Monaco) 16. Trade Connections: The Acquisition of Blaschka Models of Marine Invertebrates by Museums in Australia and New Zealand Jan Brazier Curator of History Macleay Collections Chau Chak Wing Museum (The University of Sydney Australia) Bibliography Index
List of Illustrations List of Contributors Acknowledgements 1. Commodifying the Ocean World in the Long Nineteenth Century Kathleen Davidson and Molly Duggins (The University of Sydney Australia; National Art School Sydney Australia) Part One: Wave - Circulating Marine Products 2. Ambergris in Eighteenth- and Nineteenth-Century Medicine Perfume and Natural History Georgina Cole (National Art School Sydney Australia) 3. Imperial Coral: The Transformation of a Natural Material to a Qing Imperial Treasure Pippa Lacey (National Maritime Museum Greenwich UK) 4. Echoes of Empire: The Painted Museums of Leroy de Barde Jessica Priebe (the National Art School Sydney Australia) 5. 'Native Manufactures': Sailors' Valentines and the Caribbean Curio Trade Molly Duggins (the National Art School Sydney Australia) Part Two: Shore - Coastal Economies and Ecologies 6. Reading the Wrack Line on the French Atlantic Shore Maura Coughlin (Bryant University in Smithfield Rhode Island USA) 7. An Intense Curiosity: Marine Research Stations and Marine Specimens in the Late Nineteenth Century Jude Philp (Macleay Museum The University of Sydney Australia) 8. The Tears of Pearls: Archaic Labour Fisheries and Waste in Ceylon and Beyond Natasha Eaton (UCL UK) 9. Culture Keeping and Money Making: Aboriginal Women's Shellwork from the South Coast of New South Wales Priya Vaughan (the National Art School Sydney Australia) Part Three: Seabed - Materializing Submarine Environments 10. Their 'Colours are Brilliant but Fugitive': Coral Concerns from Imperial Expeditions and the British Museum to the Royal Academy and Drury Lane Kathleen Davidson (The University of Sydney Australia) 11. Aquariums Under the Rising Sun: A Cultural History of Early Public Aquariums in Japan 1882-1903 Yuichi Mizoi (Kansai University Japan) 12. Merging the University Museum and Volksbildung: The Curatorial Strategies of Berlin's Museum für Meereskunde in 1900 Stefanie Lenk (The University of Göttingen Germany) Part Four: Oceanic Objects - Museum Case Studies 13. 'An Imitation of Seaweed': Nature and Design in a Late Eighteenth-Century Printed Cotton Ann Christie (Independent Researcher) 14. Fashioning Whale Bone: Scrimshaw and the Nineteenth-Century Tradition of the Decorative Busk Martha Cattell (Curator and Independent Researcher) 15. The Ornamental Glass Window of the Maison des Océans in Paris: A Celebration of Evolution Jacqueline Goy (The Oceanographic Institute Monaco) and Robert Calcagno (Government Advisor Ministry of the Equipment Environment and Urban Planning Monaco) 16. Trade Connections: The Acquisition of Blaschka Models of Marine Invertebrates by Museums in Australia and New Zealand Jan Brazier Curator of History Macleay Collections Chau Chak Wing Museum (The University of Sydney Australia) Bibliography Index
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