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Set in the 15th century just after the Hundred Years' War, this historical novel of ideas traces the intersecting lives of a Turkish adventurer, an idealistic Lombard revolutionary, an intellectual heretic from Bohemia, and a woman disappointed in love and with her limited options. Agnese chooses to spend 47 years in a cell, looking out on the bustling public life of the Cemetery of the Holy Innocents, where she seeks to confront the oppressions of an age marked by war, famine, disease, and brutal injustice-an age much like our own. Toni Maraini is an Italian poet, novelist, and art critic.…mehr

Produktbeschreibung
Set in the 15th century just after the Hundred Years' War, this historical novel of ideas traces the intersecting lives of a Turkish adventurer, an idealistic Lombard revolutionary, an intellectual heretic from Bohemia, and a woman disappointed in love and with her limited options. Agnese chooses to spend 47 years in a cell, looking out on the bustling public life of the Cemetery of the Holy Innocents, where she seeks to confront the oppressions of an age marked by war, famine, disease, and brutal injustice-an age much like our own. Toni Maraini is an Italian poet, novelist, and art critic. She grew up in an literary family in Sicily, and has lived in Paris, London, Casablanca, and New York.
Self-imprisoned in a Parisian cemetery wall, a woman reflects on the savage turmoil of the medieval world.
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Autorenporträt
Born in Tokyo (Japan), Toni Maraini spent two years (1943-1945) as a small child in a Japanese concentration camp after the family was arrested for being anti-Fascist. She grew up in Sicily after the war, and went to high school in Florence. She studied art history and anthropology at London University, at Smith College (USA) and at the Ecole Pratique des Hautes Etudes in Paris. From 1964 to 1986 she lived in Morocco, where she taught at Rabat University. In Morocco she did pioneer field research in art and culture. There, she published several books (essays, art history) and three collections of poems (Message d'une Migration, 1976, Le Récit de l'Occultation, 1984, Phantasmata Diwan, 1990). She works now in Italy as a freelance author (criticism, poetry, novels, essays) and continues to write on North African culture and to translate North African writers and poets.