Examining Henri Bergson's work, philosophy, and the body, this volume explores the history and philosophy of comedy, film, psychoanalysis and the comic performance of the future, creating a theoretical and practice-based framework for the field.
Examining Henri Bergson's work, philosophy, and the body, this volume explores the history and philosophy of comedy, film, psychoanalysis and the comic performance of the future, creating a theoretical and practice-based framework for the field.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Acknowledgments Introduction Chapter 1. Comedy: Towards an Alternative History of Mimesis, by María J. Ortega Máñez Chapter 2. The Two Laughters of Lecoq: The Clown and the Bouffon, by Caterina Angela Agus, Giovani Fusetti and Davide Giovanzana Chapter 3. The Masked Comic Figure in Alain Badiou's Philosophy, by Fred Dalmasso Chapter 4. The Body that Laughs and Cries: Helmuth Plessner's Keys to Anthropology and Theatre, by Xavier Escribano Chapter 5. Valentin, Brecht and Comic Inelasticity: Ridiculing Rigidity as an Impediment to Social Change, by Meg Mumford Chapter 6. Happiness, Dead and Alive: Object Theatre as Philosophy of the Encounter, by Carolyn Shapiro Chapter 7. Living in the Doll House: Cavell, Comedy and The Ladies Man, by Lisa Trahair Chapter 8. Trouble in Paradise?: Impotence and Comedy, by Lisabeth During Chapter 9. "Only What Is Born Lives": Kafka L.O.L., by Jean-Michel Rabaté Chapter 10. The Grotesque: Comic Performance and the Paradox of Acting, by Josephine Gray About the Authors
Acknowledgments Introduction Chapter 1. Comedy: Towards an Alternative History of Mimesis, by María J. Ortega Máñez Chapter 2. The Two Laughters of Lecoq: The Clown and the Bouffon, by Caterina Angela Agus, Giovani Fusetti and Davide Giovanzana Chapter 3. The Masked Comic Figure in Alain Badiou's Philosophy, by Fred Dalmasso Chapter 4. The Body that Laughs and Cries: Helmuth Plessner's Keys to Anthropology and Theatre, by Xavier Escribano Chapter 5. Valentin, Brecht and Comic Inelasticity: Ridiculing Rigidity as an Impediment to Social Change, by Meg Mumford Chapter 6. Happiness, Dead and Alive: Object Theatre as Philosophy of the Encounter, by Carolyn Shapiro Chapter 7. Living in the Doll House: Cavell, Comedy and The Ladies Man, by Lisa Trahair Chapter 8. Trouble in Paradise?: Impotence and Comedy, by Lisabeth During Chapter 9. "Only What Is Born Lives": Kafka L.O.L., by Jean-Michel Rabaté Chapter 10. The Grotesque: Comic Performance and the Paradox of Acting, by Josephine Gray About the Authors
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