Examining the powerful drive that leads men and women literally to shed their skins gubarand-in mind and body-to cross the boundary of sex, Prosser argues that sex change is, at best, a narrative-thus transsexuals make for adept and absorbing authors.
Examining the powerful drive that leads men and women literally to shed their skins gubarand-in mind and body-to cross the boundary of sex, Prosser argues that sex change is, at best, a narrative-thus transsexuals make for adept and absorbing authors.
Acknowledgments Introduction: On Transitions -- Changing Bodies, Changing Narratives Part 1: Bodies 1. Judith Butler: Queer Feminism, Transgender, and the Transubstantiation of Sex 2. A Skin of One's Own: Toward a Theory of Transsexual Embodiment Part 2: Narratives 3. Mirror Images: Transsexuality and Autobiography 4. "Some Primitive Thing Conceived in a Turbulent Age of Transition": The Invert, The Well of Loneliness, and the Narrative Origins of Transexuality 5. No Place Like Home: Transgender and Trans-Genre in Leslie Feinberg's Stone Butch Blues Epilogue: Transsexuality in Photography -- Fielding the Referent Notes Index
Acknowledgments Introduction: On Transitions -- Changing Bodies, Changing Narratives Part 1: Bodies 1. Judith Butler: Queer Feminism, Transgender, and the Transubstantiation of Sex 2. A Skin of One's Own: Toward a Theory of Transsexual Embodiment Part 2: Narratives 3. Mirror Images: Transsexuality and Autobiography 4. "Some Primitive Thing Conceived in a Turbulent Age of Transition": The Invert, The Well of Loneliness, and the Narrative Origins of Transexuality 5. No Place Like Home: Transgender and Trans-Genre in Leslie Feinberg's Stone Butch Blues Epilogue: Transsexuality in Photography -- Fielding the Referent Notes Index
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