Andrew Repasky McElhinney

Second Takes

Remaking Film, Remaking America

• Broschiertes Buch

Produktbeschreibung

Second Takes presents the history of English language cinema by focusing on cinematic remakes and on how cinema has been replaced by new forms of "media." Remakes, with their innate plurality, offer the most substance for concentrated cultural analysis of how movies reflect and shape American culture. Analyzing the archetypes that recur in this culture reveals how movies are an increasingly dangerous surrogate for the actual. Close readings are presented of such works as popular favorites as Cronenberg's Crash, Disney's The Parent Trap, Ferrara's Bad Lieutenant, Hitchcock's Psycho, Kubrick's A Clockwork Orange, Lynch's Twin Peaks (the film) and Welles' The Magnificent Ambersons, while unearthing pictures ripe for rediscovery such as One More Tomorrow, Strange Illusion and Andy Warhol's Vinyl. Instructors considering this book for use in a course may request an examination copy here.

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Produktdetails

• Verlag: McFarland
• Seitenzahl: 242
• Erscheinungstermin: 1. Oktober 2013
• Englisch
• Abmessung: 229mm x 152mm x 14mm
• Gewicht: 399g
• ISBN-13: 9780786477616
• ISBN-10: 078647761X
• Artikelnr.: 38480075

Autorenporträt

Feature film director Andrew Repasky McElhinney is also an author, theater director, installation artist, repertory film programmer and educator. He currently teaches at Rutgers-The State University of New Jersey.

Inhaltsangabe

Table of Contents Acknowledgments Introduction: Remakes, from Shakespeare to the PostLiterate Problem 1.
Edible Wrecks: Charting Technology Remaking the Body in The Black Cat (1934), Peeping Tom (1960) and Crash (1996) 2.
The Birth of NeoConservatism through Violence: Gangsters Remaking Capital in The Public Enemy (1931), Point Blank (1967) and Bad Lieutenant (1992) 3.
"In the grimace of intense desire": Remaking Women with Imitation of Life (1934 and 1959) 4.
The Bequests of Shadows: Remaking the Father in The Magni
cent Ambersons (1942), One More Tomorrow (
lmed 1942; released 1946) and Strange Illusion (1945) 5.
"It's all very realistic!" Remaking Image with Vinyl (1965) and A Clockwork Orange (1971) 6. Self-Deliverance: Children Unmaking the Family in Psycho (1960 and 1998) and The Parent Trap (1961 and 1998) 7.
Chapter Six, Part 2! Remaking Hollywood with Forced Entry (1973 and 1981), Despair (1978) and Raiders of the Lost Ark: The Adaptation (1989) 8.
I Know Who Killed Me: Remaking the Artist in The Immortal Story (1968) and Twin Peaks: Fire Walk with Me (1992) Conclusion: For a Remaking Chapter Notes Bibliography Index