Andere Kunden interessierten sich auch für
![Space and Narrative in the Nineteenth-Century British Historical Novel]( "Space and Narrative in the Nineteenth-Century British Historical Novel")
Space and Narrative in the Nineteenth-Century British Historical Novel65,99 €![Education in Nineteenth-Century British Literature]( "Education in Nineteenth-Century British Literature")
Education in Nineteenth-Century British Literature69,99 €![The Nineteenth-Century French Short Story]( "The Nineteenth-Century French Short Story")
The Nineteenth-Century French Short Story65,99 €![Conceptualizing Cruelty to Children in Nineteenth-Century England]( "Conceptualizing Cruelty to Children in Nineteenth-Century England")
Conceptualizing Cruelty to Children in Nineteenth-Century England81,99 €![The Working-Class Intellectual in Eighteenth- and Nineteenth-Century Britain]( "The Working-Class Intellectual in Eighteenth- and Nineteenth-Century Britain")
The Working-Class Intellectual in Eighteenth- and Nineteenth-Century Britain97,99 €![Women Reviewing Women in Nineteenth-Century Britain]( "Women Reviewing Women in Nineteenth-Century Britain")
Women Reviewing Women in Nineteenth-Century Britain81,99 €![Riverbank and Seashore in Nineteenth and Twentieth Century British Literature]( "Riverbank and Seashore in Nineteenth and Twentieth Century British Literature")
Riverbank and Seashore in Nineteenth and Twentieth Century British Literature46,99 €
Taking up works by Samuel Richardson, James Fenimore Cooper, Sir Walter Scott, and Catharine Maria Sedgwick, among others, Jennifer B. Camden examines the role of female characters who, while embodying the qualities associated with heroines, fail to achieve this status in the story. These "secondary heroines," often the friend or sister of the primary heroine, typically disappear from the action of the novel as the courtship plot progresses, only to return near the conclusion of the action with renewed demands on the reader's attention. Accounting for this persistent pattern, Camden suggests, reveals the cultural work performed by these unusual figures in the early history of the novel. Because she is often a far more vivid character than the heroine of the marriage plot, the secondary heroine inevitably engages the reader's interest in her plight. That the narrative apparently seeks to suppress her creates tension and points to the secondary heroine as a site of contested identity who represents an ideology of womanhood and nationhood at odds with the national ideals represented by the primary heroine, whom the reader is asked to embrace. In showing how the anxiety produced by these ideals is displaced onto the secondary heroine, Camden's study represents an important intervention into the ways in which early novels use character to further ideologies of race, class, sex, and gender.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.