"Cope has defined a counter-generic genre that sharpens and refines our understanding of the distinctive Italian contribution to the history of theater. His analysis is shrewd, and his careful close readings of a large number of plays make this fascinating theater of complicity available to readers with little or no Italian. Beyond that, he provokes endless reflection on theater itself as a metaphor of the knowable, and of the ways in which that metaphor was transformed between the early humanistic revivals of Plautus and Terence, and the rise of Gozzi."--Walter Stephens, Dartmouth College
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