An investigation of the linked underlying theories behind the different arts and practices of restoring historic objects and texts.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Paul Eggert FAHA is Professor Emeritus at Loyola University Chicago and the University of New South Wales. He is a scholarly editor, book historian and editorial theorist.
Inhaltsangabe
1. Introduction 2. The witness of historic buildings and the restoration of the churches 3. The new Ruskinians and the new aesthetes 4. Forgery and authenticity: historical documents, literary works and paintings 5. Conservators and agency: their role in the work 6. Subtilising authorship: Rembrandt, scientific evidence and modern connoisseurship 7. Materialist, performance or literary Shakespeare? 8. Modes of editing literary works: conflicts in theory and practice 9. Readers and editors: new directions in scholarly editing 10. The editorial gaze and the nature of the work Bibliography.
1. Introduction 2. The witness of historic buildings and the restoration of the churches 3. The new Ruskinians and the new aesthetes 4. Forgery and authenticity: historical documents, literary works and paintings 5. Conservators and agency: their role in the work 6. Subtilising authorship: Rembrandt, scientific evidence and modern connoisseurship 7. Materialist, performance or literary Shakespeare? 8. Modes of editing literary works: conflicts in theory and practice 9. Readers and editors: new directions in scholarly editing 10. The editorial gaze and the nature of the work Bibliography.
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