Lena Horne, Moms Mabley, Yolande DuBois, and Memphis Minnie were Black women who, despite their public profiles, discovered ways to enjoy pleasure in their public and private lives. See Me Naked looks at these women as representative of Black women who were watched, criticized, and judged by their families, peers, and, in some cases, the government. Despite the pressures of respectability, they lived extraordinary lives.
Lena Horne, Moms Mabley, Yolande DuBois, and Memphis Minnie were Black women who, despite their public profiles, discovered ways to enjoy pleasure in their public and private lives. See Me Naked looks at these women as representative of Black women who were watched, criticized, and judged by their families, peers, and, in some cases, the government. Despite the pressures of respectability, they lived extraordinary lives.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
TARA T. GREEN is a professor and former director of African American and African diaspora studies at the University of North Carolina in Greensboro. She is the author or editor of several books, including A Fatherless Child: Autobiographical Perspectives of African American Men, winner of the 2011 Outstanding Scholarship in Africana Studies Award from the National Council for Black Studies, and Reimagining the Middle Passage: Black Resistance in Literature, Television, and Song.
Inhaltsangabe
Introduction: Pleasure Is All Mine 1. Finding Yolande Du Bois's Pleasure 2. Lena Horne and Respectable Pleasure 3. Moms Mabley and the Art of Pleasure 4. Memphis Minnie and Songs of Pleasure 5. Pleasurable Resistance in Langston Hughes's Not Without Laughter Conclusion: Black Feminist Musings from Nature, The Context of Pleasure in 2020 Acknowledgements Bibliography Index
Introduction: Pleasure Is All Mine 1. Finding Yolande Du Bois's Pleasure 2. Lena Horne and Respectable Pleasure 3. Moms Mabley and the Art of Pleasure 4. Memphis Minnie and Songs of Pleasure 5. Pleasurable Resistance in Langston Hughes's Not Without Laughter Conclusion: Black Feminist Musings from Nature, The Context of Pleasure in 2020 Acknowledgements Bibliography Index
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