David C Driskell, Mary Jane Jacob, Dorothy Kosinski
Seeing Differently: The Phillips Collects for a New Century
45,99 €
inkl. MwSt.
Versandkostenfrei*
Versandfertig in über 4 Wochen
Melden Sie sich
hier
hier
für den Produktalarm an, um über die Verfügbarkeit des Produkts informiert zu werden.
David C Driskell, Mary Jane Jacob, Dorothy Kosinski
Seeing Differently: The Phillips Collects for a New Century
- Gebundenes Buch
An expansive collection catalogue that offers a multiplicity of fresh perspectives on recent modern and contemporary art acquisitions in The Phillips Collection
Andere Kunden interessierten sich auch für
![Nineteenth-Century French Drawings: The Cleveland Museum of Art]( "Nineteenth-Century French Drawings: The Cleveland Museum of Art")
Britany SalsburyNineteenth-Century French Drawings: The Cleveland Museum of Art42,99 €![The Collects of Thomas Cranmer]( "The Collects of Thomas Cranmer")
C.Frederick BarbeeThe Collects of Thomas Cranmer17,99 €![Richard Phillips]( "Richard Phillips")
Richard PhillipsRichard Phillips82,99 €![Collects From The Liturgy Of The Church Of England For The Leading Sundays And Other Feasts And Fasts Throughout The Year (1855)]( "Collects From The Liturgy Of The Church Of England For The Leading Sundays And Other Feasts And Fasts Throughout The Year (1855)")
A ChurchmanCollects From The Liturgy Of The Church Of England For The Leading Sundays And Other Feasts And Fasts Throughout The Year (1855)28,99 €![The Phillips Collection of Traditional American Fiddle Tunes Volume One: Hoedowns, Breakdowns, & Reels]( "The Phillips Collection of Traditional American Fiddle Tunes Volume One: Hoedowns, Breakdowns, & Reels")
The Phillips Collection of Traditional American Fiddle Tunes Volume One: Hoedowns, Breakdowns, & Reels34,99 €![The Feeling Intellect]( "The Feeling Intellect")
Steven GroarkeThe Feeling Intellect29,99 €![Memoirs Of The Life Of Catherine Phillips]( "Memoirs Of The Life Of Catherine Phillips")
Catherine PhillipsMemoirs Of The Life Of Catherine Phillips43,99 €-
-
-
An expansive collection catalogue that offers a multiplicity of fresh perspectives on recent modern and contemporary art acquisitions in The Phillips Collection
Produktdetails
- Produktdetails
- Verlag: D Giles Ltd
- Seitenzahl: 360
- Erscheinungstermin: 26. Februar 2021
- Englisch
- Abmessung: 289mm x 249mm x 37mm
- Gewicht: 2294g
- ISBN-13: 9781911282761
- ISBN-10: 191128276X
- Artikelnr.: 58456803
- Verlag: D Giles Ltd
- Seitenzahl: 360
- Erscheinungstermin: 26. Februar 2021
- Englisch
- Abmessung: 289mm x 249mm x 37mm
- Gewicht: 2294g
- ISBN-13: 9781911282761
- ISBN-10: 191128276X
- Artikelnr.: 58456803
Dorothy Kosinski is Vradenburg Director & CEO of The Phillips Collection. Elsa Smithgall is senior curator at The Phillips Collection.
Chairman's Preface; Director's Foreword; Introduction by Dorothy Kosinski;
Prelude: Reflections on Renoir and Luncheon of the Boating Party by Bridget
Riley; "It is the Color Of Course" by Klaus Ottmann; Not the Eye but the
Beholder: The Shared Vision of Duncan Phillips and John Dewey by Mary Jane
Jacob; Artist Conversation with David C. Driskell and Elsa Smithgall;
Unraveling the Absolute: Painting Music at The Phillips Collection by
Jeremy Ney; Learning to Look & See by Fred L. Joiner; Excelsior and the
Contemporary by Kent Mitchell Minturn; In the Round: From Drawing to
Sculpture by Jed Morse; San Francisco Modern: Manuel Neri and Frank Lobdell
by Bruce Nixon; Physiognomy and a Fisherman: August Sander and Forrest
Bess. Some Relations with Nature by Lauren Kroiz; Lifting into the
Foreground: A Meditation on Joseph Holston's Charity by Jeffreen M. Hayes;
Bruce Davidson's Black Female Sitters by Charmaine A. Nelson; Artist
conversation with Whitfield Lovell and Elsa Smithgall; Rethinking
Photography at The Phillips Collection: Looking Back / Looking Forward by
Wendy A. Grossman; Artist conversation with John Edmonds and Elsa
Smithgall; Connecting Modern with Contemporary: Intersections at the
Phillips by Vesela Sretenovic; Artist Conversation with Alyson Shotz and
Vesela Sretenovic; Plates with Selected Object Entries:
heather ahtone: Benny Andrews, Trail of Tears
Taylor Aldridge: Simone Leigh's No Face (Crown Heights)
Dominique Baqué: Kiefer Dien blondes Haar, Margarethe
Tina Baum: Larrakitj Poles
Enrique Martinez Celaya: Forrest Bess, Black Seascape with Moon
Makeba Clay- McArthur Binion, DNA: Black Painting and Gee's Bend Quilts
Kate Cowcher: Aimé Mpane, Mapasa
Jessica Stafford Davis: Zoe Charlton's The Country a Wilderness Unsubdued)
Sue Frank: Bice Lazzari, Measures and Signs; Folinsbee, Gray Thaw; Al Held,
B/W XII and Pan North V
Antony Gormley: Walker Evans, James Agee
Wendy Grossman, Man Ray, Julius Caesar
Liesbeth Heenk: Howard Hodgkin's As Time Goes By
Franz W. Kaiser: Karel Appel, Head as a Tree
Raina Lampkins-Fielder: Lucy T. Pettway, Two-sided quilt: blocks and strips
and Bricklayer
Jacqueline Lawton: Michna-Bales, Underground Railroad
Renee Maurer: Esther Bubley, A Child Whose Home Is an Alley Dwelling near
the Capitol (1943) and Untitled (Two Boys on a Bench) (1951); Katz, Brisk
Day; Louis, Seal; Gilliam, Purple Antelope; Avery, Self-Portrait with Red
Tam, Frankenthaler, Canyon;
Jennifer Wen Ma: Jennifer Wen Ma, Brain Storm
Alexander Nemerov: William Christenberry, Church across Cotton,
Pickinsville, AL
Nontobeko Ntombela: O'jeikere Hair Styles
Klaus Ottmann: Celaya, The First Kirkegaard; Laib, Wax Room; Lüpertz,
Kassandra; Walther, Red Song Formation;
Eliza Rathbone: Degas, La Répétition au foyer de la danse
Ellington Robinson: Whitfield Lovell Kin XXXV
Bernardi Roig: Kiefer, Jacob's Heavenly Blood Blessed by Axes
Susan Rothenberg: Three Masks (2006) and Dominos Cold (2001)
Sean Scully: Renee Stout, Escape Plan A and Life Lessons (after
Nathaniel Lyons)
Elsa Smithgall: Hale Woodruff, Atlanta Portfolio; Kara Walker, Crest of
Pine Mountain where General Polk Fell; Jacob Lawrence, Going Home; David
Driskell, Doorway portfolio.
Bosco Sodi: Mark Rothko, Aubade
Vesela Sretenovic: Ellsworth Kelly, Untitled and lithographs; Bosco Sodi,
Muro; Zilia Sanchez, Maquinista
Renée Stout: Sean Scully, Day
Lou Stovall: Stovall, Suite for Sergei
Elizabeth Hutton Turner: Calder, Hollow Egg
Jenna Wortham: McArthur Binion, DNA: Black Painting: I
Appendix: The Phillips Collection Acquisitions, 2000-2020; The Phillips
Collection Exhibition History, 2000-2021; The Phillips Collection
Publication History, 2000-2021; Index; Contributors; Credits
Prelude: Reflections on Renoir and Luncheon of the Boating Party by Bridget
Riley; "It is the Color Of Course" by Klaus Ottmann; Not the Eye but the
Beholder: The Shared Vision of Duncan Phillips and John Dewey by Mary Jane
Jacob; Artist Conversation with David C. Driskell and Elsa Smithgall;
Unraveling the Absolute: Painting Music at The Phillips Collection by
Jeremy Ney; Learning to Look & See by Fred L. Joiner; Excelsior and the
Contemporary by Kent Mitchell Minturn; In the Round: From Drawing to
Sculpture by Jed Morse; San Francisco Modern: Manuel Neri and Frank Lobdell
by Bruce Nixon; Physiognomy and a Fisherman: August Sander and Forrest
Bess. Some Relations with Nature by Lauren Kroiz; Lifting into the
Foreground: A Meditation on Joseph Holston's Charity by Jeffreen M. Hayes;
Bruce Davidson's Black Female Sitters by Charmaine A. Nelson; Artist
conversation with Whitfield Lovell and Elsa Smithgall; Rethinking
Photography at The Phillips Collection: Looking Back / Looking Forward by
Wendy A. Grossman; Artist conversation with John Edmonds and Elsa
Smithgall; Connecting Modern with Contemporary: Intersections at the
Phillips by Vesela Sretenovic; Artist Conversation with Alyson Shotz and
Vesela Sretenovic; Plates with Selected Object Entries:
heather ahtone: Benny Andrews, Trail of Tears
Taylor Aldridge: Simone Leigh's No Face (Crown Heights)
Dominique Baqué: Kiefer Dien blondes Haar, Margarethe
Tina Baum: Larrakitj Poles
Enrique Martinez Celaya: Forrest Bess, Black Seascape with Moon
Makeba Clay- McArthur Binion, DNA: Black Painting and Gee's Bend Quilts
Kate Cowcher: Aimé Mpane, Mapasa
Jessica Stafford Davis: Zoe Charlton's The Country a Wilderness Unsubdued)
Sue Frank: Bice Lazzari, Measures and Signs; Folinsbee, Gray Thaw; Al Held,
B/W XII and Pan North V
Antony Gormley: Walker Evans, James Agee
Wendy Grossman, Man Ray, Julius Caesar
Liesbeth Heenk: Howard Hodgkin's As Time Goes By
Franz W. Kaiser: Karel Appel, Head as a Tree
Raina Lampkins-Fielder: Lucy T. Pettway, Two-sided quilt: blocks and strips
and Bricklayer
Jacqueline Lawton: Michna-Bales, Underground Railroad
Renee Maurer: Esther Bubley, A Child Whose Home Is an Alley Dwelling near
the Capitol (1943) and Untitled (Two Boys on a Bench) (1951); Katz, Brisk
Day; Louis, Seal; Gilliam, Purple Antelope; Avery, Self-Portrait with Red
Tam, Frankenthaler, Canyon;
Jennifer Wen Ma: Jennifer Wen Ma, Brain Storm
Alexander Nemerov: William Christenberry, Church across Cotton,
Pickinsville, AL
Nontobeko Ntombela: O'jeikere Hair Styles
Klaus Ottmann: Celaya, The First Kirkegaard; Laib, Wax Room; Lüpertz,
Kassandra; Walther, Red Song Formation;
Eliza Rathbone: Degas, La Répétition au foyer de la danse
Ellington Robinson: Whitfield Lovell Kin XXXV
Bernardi Roig: Kiefer, Jacob's Heavenly Blood Blessed by Axes
Susan Rothenberg: Three Masks (2006) and Dominos Cold (2001)
Sean Scully: Renee Stout, Escape Plan A and Life Lessons (after
Nathaniel Lyons)
Elsa Smithgall: Hale Woodruff, Atlanta Portfolio; Kara Walker, Crest of
Pine Mountain where General Polk Fell; Jacob Lawrence, Going Home; David
Driskell, Doorway portfolio.
Bosco Sodi: Mark Rothko, Aubade
Vesela Sretenovic: Ellsworth Kelly, Untitled and lithographs; Bosco Sodi,
Muro; Zilia Sanchez, Maquinista
Renée Stout: Sean Scully, Day
Lou Stovall: Stovall, Suite for Sergei
Elizabeth Hutton Turner: Calder, Hollow Egg
Jenna Wortham: McArthur Binion, DNA: Black Painting: I
Appendix: The Phillips Collection Acquisitions, 2000-2020; The Phillips
Collection Exhibition History, 2000-2021; The Phillips Collection
Publication History, 2000-2021; Index; Contributors; Credits
Chairman's Preface; Director's Foreword; Introduction by Dorothy Kosinski;
Prelude: Reflections on Renoir and Luncheon of the Boating Party by Bridget
Riley; "It is the Color Of Course" by Klaus Ottmann; Not the Eye but the
Beholder: The Shared Vision of Duncan Phillips and John Dewey by Mary Jane
Jacob; Artist Conversation with David C. Driskell and Elsa Smithgall;
Unraveling the Absolute: Painting Music at The Phillips Collection by
Jeremy Ney; Learning to Look & See by Fred L. Joiner; Excelsior and the
Contemporary by Kent Mitchell Minturn; In the Round: From Drawing to
Sculpture by Jed Morse; San Francisco Modern: Manuel Neri and Frank Lobdell
by Bruce Nixon; Physiognomy and a Fisherman: August Sander and Forrest
Bess. Some Relations with Nature by Lauren Kroiz; Lifting into the
Foreground: A Meditation on Joseph Holston's Charity by Jeffreen M. Hayes;
Bruce Davidson's Black Female Sitters by Charmaine A. Nelson; Artist
conversation with Whitfield Lovell and Elsa Smithgall; Rethinking
Photography at The Phillips Collection: Looking Back / Looking Forward by
Wendy A. Grossman; Artist conversation with John Edmonds and Elsa
Smithgall; Connecting Modern with Contemporary: Intersections at the
Phillips by Vesela Sretenovic; Artist Conversation with Alyson Shotz and
Vesela Sretenovic; Plates with Selected Object Entries:
heather ahtone: Benny Andrews, Trail of Tears
Taylor Aldridge: Simone Leigh's No Face (Crown Heights)
Dominique Baqué: Kiefer Dien blondes Haar, Margarethe
Tina Baum: Larrakitj Poles
Enrique Martinez Celaya: Forrest Bess, Black Seascape with Moon
Makeba Clay- McArthur Binion, DNA: Black Painting and Gee's Bend Quilts
Kate Cowcher: Aimé Mpane, Mapasa
Jessica Stafford Davis: Zoe Charlton's The Country a Wilderness Unsubdued)
Sue Frank: Bice Lazzari, Measures and Signs; Folinsbee, Gray Thaw; Al Held,
B/W XII and Pan North V
Antony Gormley: Walker Evans, James Agee
Wendy Grossman, Man Ray, Julius Caesar
Liesbeth Heenk: Howard Hodgkin's As Time Goes By
Franz W. Kaiser: Karel Appel, Head as a Tree
Raina Lampkins-Fielder: Lucy T. Pettway, Two-sided quilt: blocks and strips
and Bricklayer
Jacqueline Lawton: Michna-Bales, Underground Railroad
Renee Maurer: Esther Bubley, A Child Whose Home Is an Alley Dwelling near
the Capitol (1943) and Untitled (Two Boys on a Bench) (1951); Katz, Brisk
Day; Louis, Seal; Gilliam, Purple Antelope; Avery, Self-Portrait with Red
Tam, Frankenthaler, Canyon;
Jennifer Wen Ma: Jennifer Wen Ma, Brain Storm
Alexander Nemerov: William Christenberry, Church across Cotton,
Pickinsville, AL
Nontobeko Ntombela: O'jeikere Hair Styles
Klaus Ottmann: Celaya, The First Kirkegaard; Laib, Wax Room; Lüpertz,
Kassandra; Walther, Red Song Formation;
Eliza Rathbone: Degas, La Répétition au foyer de la danse
Ellington Robinson: Whitfield Lovell Kin XXXV
Bernardi Roig: Kiefer, Jacob's Heavenly Blood Blessed by Axes
Susan Rothenberg: Three Masks (2006) and Dominos Cold (2001)
Sean Scully: Renee Stout, Escape Plan A and Life Lessons (after
Nathaniel Lyons)
Elsa Smithgall: Hale Woodruff, Atlanta Portfolio; Kara Walker, Crest of
Pine Mountain where General Polk Fell; Jacob Lawrence, Going Home; David
Driskell, Doorway portfolio.
Bosco Sodi: Mark Rothko, Aubade
Vesela Sretenovic: Ellsworth Kelly, Untitled and lithographs; Bosco Sodi,
Muro; Zilia Sanchez, Maquinista
Renée Stout: Sean Scully, Day
Lou Stovall: Stovall, Suite for Sergei
Elizabeth Hutton Turner: Calder, Hollow Egg
Jenna Wortham: McArthur Binion, DNA: Black Painting: I
Appendix: The Phillips Collection Acquisitions, 2000-2020; The Phillips
Collection Exhibition History, 2000-2021; The Phillips Collection
Publication History, 2000-2021; Index; Contributors; Credits
Prelude: Reflections on Renoir and Luncheon of the Boating Party by Bridget
Riley; "It is the Color Of Course" by Klaus Ottmann; Not the Eye but the
Beholder: The Shared Vision of Duncan Phillips and John Dewey by Mary Jane
Jacob; Artist Conversation with David C. Driskell and Elsa Smithgall;
Unraveling the Absolute: Painting Music at The Phillips Collection by
Jeremy Ney; Learning to Look & See by Fred L. Joiner; Excelsior and the
Contemporary by Kent Mitchell Minturn; In the Round: From Drawing to
Sculpture by Jed Morse; San Francisco Modern: Manuel Neri and Frank Lobdell
by Bruce Nixon; Physiognomy and a Fisherman: August Sander and Forrest
Bess. Some Relations with Nature by Lauren Kroiz; Lifting into the
Foreground: A Meditation on Joseph Holston's Charity by Jeffreen M. Hayes;
Bruce Davidson's Black Female Sitters by Charmaine A. Nelson; Artist
conversation with Whitfield Lovell and Elsa Smithgall; Rethinking
Photography at The Phillips Collection: Looking Back / Looking Forward by
Wendy A. Grossman; Artist conversation with John Edmonds and Elsa
Smithgall; Connecting Modern with Contemporary: Intersections at the
Phillips by Vesela Sretenovic; Artist Conversation with Alyson Shotz and
Vesela Sretenovic; Plates with Selected Object Entries:
heather ahtone: Benny Andrews, Trail of Tears
Taylor Aldridge: Simone Leigh's No Face (Crown Heights)
Dominique Baqué: Kiefer Dien blondes Haar, Margarethe
Tina Baum: Larrakitj Poles
Enrique Martinez Celaya: Forrest Bess, Black Seascape with Moon
Makeba Clay- McArthur Binion, DNA: Black Painting and Gee's Bend Quilts
Kate Cowcher: Aimé Mpane, Mapasa
Jessica Stafford Davis: Zoe Charlton's The Country a Wilderness Unsubdued)
Sue Frank: Bice Lazzari, Measures and Signs; Folinsbee, Gray Thaw; Al Held,
B/W XII and Pan North V
Antony Gormley: Walker Evans, James Agee
Wendy Grossman, Man Ray, Julius Caesar
Liesbeth Heenk: Howard Hodgkin's As Time Goes By
Franz W. Kaiser: Karel Appel, Head as a Tree
Raina Lampkins-Fielder: Lucy T. Pettway, Two-sided quilt: blocks and strips
and Bricklayer
Jacqueline Lawton: Michna-Bales, Underground Railroad
Renee Maurer: Esther Bubley, A Child Whose Home Is an Alley Dwelling near
the Capitol (1943) and Untitled (Two Boys on a Bench) (1951); Katz, Brisk
Day; Louis, Seal; Gilliam, Purple Antelope; Avery, Self-Portrait with Red
Tam, Frankenthaler, Canyon;
Jennifer Wen Ma: Jennifer Wen Ma, Brain Storm
Alexander Nemerov: William Christenberry, Church across Cotton,
Pickinsville, AL
Nontobeko Ntombela: O'jeikere Hair Styles
Klaus Ottmann: Celaya, The First Kirkegaard; Laib, Wax Room; Lüpertz,
Kassandra; Walther, Red Song Formation;
Eliza Rathbone: Degas, La Répétition au foyer de la danse
Ellington Robinson: Whitfield Lovell Kin XXXV
Bernardi Roig: Kiefer, Jacob's Heavenly Blood Blessed by Axes
Susan Rothenberg: Three Masks (2006) and Dominos Cold (2001)
Sean Scully: Renee Stout, Escape Plan A and Life Lessons (after
Nathaniel Lyons)
Elsa Smithgall: Hale Woodruff, Atlanta Portfolio; Kara Walker, Crest of
Pine Mountain where General Polk Fell; Jacob Lawrence, Going Home; David
Driskell, Doorway portfolio.
Bosco Sodi: Mark Rothko, Aubade
Vesela Sretenovic: Ellsworth Kelly, Untitled and lithographs; Bosco Sodi,
Muro; Zilia Sanchez, Maquinista
Renée Stout: Sean Scully, Day
Lou Stovall: Stovall, Suite for Sergei
Elizabeth Hutton Turner: Calder, Hollow Egg
Jenna Wortham: McArthur Binion, DNA: Black Painting: I
Appendix: The Phillips Collection Acquisitions, 2000-2020; The Phillips
Collection Exhibition History, 2000-2021; The Phillips Collection
Publication History, 2000-2021; Index; Contributors; Credits