There is a long-standing tradition in philosophy that defines imagination as engaging with things that are not real or present; as a kind of fantasy. Immanuel Kant offered an original theory of imagination as something that shapes our encounters with what is real, present, and pervades our lives. This book brings this theory of imagining to light.
There is a long-standing tradition in philosophy that defines imagination as engaging with things that are not real or present; as a kind of fantasy. Immanuel Kant offered an original theory of imagination as something that shapes our encounters with what is real, present, and pervades our lives. This book brings this theory of imagining to light.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Samantha Matherne is the Gardner Cowles Associate Professor of Humanities in the Philosophy Department at Harvard University. She is the author of Cassirer for the Routledge Philosophers Series and one of the authors of The Geography of Taste, along with Dominic McIver Lopes, Mohan Matthen, and Bence Nanay (OUP 2024). She is the editor of the first English translation of the work of the German philosopher, Edith Landmann-Kalischer: Edith Landmann-Kalischer: Essays on Art, Aesthetics, and Value, translated by Daniel Dahlstrom (in Oxford's New History of Philosophy Series, 2023). She has also published articles on Immanuel Kant, Post-Kantian traditions, and Aesthetics.
Inhaltsangabe
* Introduction * Part I Imagination in General * 1: Imagination as a Cognitive Capacity * 2: Imagination and the Two Stems of Cognition * 3: Imagination Is Part of Sensibility * 4: Three Definitions of Imagination * Part II Imagination in Perception and Experience * 5: Empirical Imagination in Perception and Experience * 6: A Priori Imagination and the Conditions of Experience I: The Transcendental Deduction * 7: A Priori Imagination and the Conditions of Experience II: The Schematism * Part III Imagination in Aesthetics * 8: Imagination and the Appreciation of Beauty * 9: Artistic Imagination * 10: Imagination and the Sublime * Part IV Imagination in Practical Agency and Morality * 11: The Possibility of Moral Imagination * 12: Imaginative Sight and the Faculty of Desire * 13: Imaginative Exhibition in Morality * Conclusion
* Introduction * Part I Imagination in General * 1: Imagination as a Cognitive Capacity * 2: Imagination and the Two Stems of Cognition * 3: Imagination Is Part of Sensibility * 4: Three Definitions of Imagination * Part II Imagination in Perception and Experience * 5: Empirical Imagination in Perception and Experience * 6: A Priori Imagination and the Conditions of Experience I: The Transcendental Deduction * 7: A Priori Imagination and the Conditions of Experience II: The Schematism * Part III Imagination in Aesthetics * 8: Imagination and the Appreciation of Beauty * 9: Artistic Imagination * 10: Imagination and the Sublime * Part IV Imagination in Practical Agency and Morality * 11: The Possibility of Moral Imagination * 12: Imaginative Sight and the Faculty of Desire * 13: Imaginative Exhibition in Morality * Conclusion
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