This book levels the critical playing field between film music and serious music, reflecting upon gender-related ideas about music and modernism as much as about film. Author Peter Franklin broaches the possibility of a history of twentieth-century music that would include, rather than marginalize, film music.
This book levels the critical playing field between film music and serious music, reflecting upon gender-related ideas about music and modernism as much as about film. Author Peter Franklin broaches the possibility of a history of twentieth-century music that would include, rather than marginalize, film music.
Author of Mahler: Symphony No. 3, The Life of Mahler, and Reclaiming Late-Romantic Music: Singing Devils and Distant Sounds.
Inhaltsangabe
* Introduction: Approaches, Problems, and the Great Divide * Part I Music Into Film: Critical Cross-Fades * 1. Men's Musicology/Women's Films: Meanings of Late Romanticism * 2. Exploitation and Seduction: Converging Responses to Popular Opera and Film * 3. Into the Mists...Subjective Realms (and the Undoing of Men?): Film's Critique of Music * Part II Watching Symphonies: Cautionary Tales * 4. Symphonic Narratives (and Promiscuous Pleasure): Film Music and Changing Perceptions of the Symphony in the Nineteenth Century * 5. Return of the Undone Women: Hollywood's Music and the Critical History of Late Romanticism * 6. Modernism and 'the Image of the Man': Hollywood Interprets Musical Modernism * Notes * Index
* Introduction: Approaches, Problems, and the Great Divide * Part I Music Into Film: Critical Cross-Fades * 1. Men's Musicology/Women's Films: Meanings of Late Romanticism * 2. Exploitation and Seduction: Converging Responses to Popular Opera and Film * 3. Into the Mists...Subjective Realms (and the Undoing of Men?): Film's Critique of Music * Part II Watching Symphonies: Cautionary Tales * 4. Symphonic Narratives (and Promiscuous Pleasure): Film Music and Changing Perceptions of the Symphony in the Nineteenth Century * 5. Return of the Undone Women: Hollywood's Music and the Critical History of Late Romanticism * 6. Modernism and 'the Image of the Man': Hollywood Interprets Musical Modernism * Notes * Index
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